Sunday, 26 October 2025

Heck is back to take on a real nasty BEAST

I have a bit of a mid-autumn treat for all Heck fans today. A brand-new Heck novella, BEAST OF THE FIELD, which is already up for pre-order as an e-book (just follow the link). It wasn’t originally on my to-do list at the start of this year, but my next piece of crime-writing, THE LODGE, is not out until January, so I thought, hey, why not get this one out now while it’s ready. It’s got a late-autumn setting, so it’s not inappropriate. 

Also today, I’ll be talking a little about TERROR TALES OF CHAOS, in particular the hardback version, which I’ve finally seen this week and it’s a true thing of beauty. You’ll find that further on down as well. I’ve already mentioned THE LODGE once but keep your eye open for a little feature on that as well. In addition to all this, we’ve got some more Thrillers, Chillers to talk about. You’ll find those, as usual, right at the end of today’s column.

Before any of that, let’s revisit today’s exciting development, the October 31 publication of a new Heck novella... 


You’ve already seen the cover. Now, here’s the blurb ...

Murder detectives don’t often call on the services of psychics.
Or they’re not supposed to.

When the so-called Edmonton Strangler starts to run up a scorecard of victims across North London, leading to riots in the streets and interference from politicians, even seasoned murder investigator, DS Mark ‘Heck’ Heckenburg is reaching the stage where he’ll consider almost anything.

It’s a ghastly scene. Strangulations so brutal they defy belief. Broken naked bodies left in backstreet dustbins. An assailant who comes and goes like a ghost.

Heck has never failed to crack a case, and neither has his ‘straight bat’ boss, DSU Gemma Piper. But when they are approached by a disturbed young woman who claims that spirits have revealed the killer’s identity to her, they are reluctant to play that game.

At least officially.

With nothing to lose, Heck enquires covertly into the so-called ‘intel’ … and is stunned by the rabbit hole of madness it leads him down into.

Are the spirits real? 
And if so, exactly whose side are they on?

Okay, hope you guys found that sufficiently whistle-whetting. For those who follow the Heck books, I wasn’t expecting to put this one out in 2025. In fact, I initially wrote it as an intended present for all those who sign on to my all-new mailing list in 2026, but I got to thinking that, though I’m currently writing the next Heck novel, it will still be a few months off yet. So, why don’t I keep everyone warm with this new 20,000-word novella? 

It doesn’t form an essential part of the overarching Heck story. It’s a one-off investigation/adventure, which I hope you’ll find both eerie and exciting in equal measure.

As I say, it will be out as an EBOOK ONLY, and you can pre-order it HERE for £2.49.

And now, it’s sheer ...

Chaos
  

Switching genres briefly, quite a few of us will be heading down to World Fantasy in Brighton this coming weekend. I’ve talked a bit about this in previous posts, but my big launch of this major festival is TERROR TALES OF CHAOS. It will be the 16th in the folk horror anthology series, though on this occasion it’s a bumper edition, both to celebrate the World Fantasy event and to honour Telos Books, the publisher’s 25th Anniversary.

If you want to know more about TERROR TALES OF CHAOS itself, just check out the previous post by scrolling down to the post before this one.

But, the main focus of today has to be the amazing work that Telos have done on the special hardback edition. Just check these pictures out. We haven’t done hardback editions of any of the previous TERROR TALES books, but as I say, this one is a bit special. So, yeah. Check … it … out.

And now, back to the world of …

Hardcase crime

My next published full-length novel will be THE LODGE from Thomas & Mercer (Amazon) and it will be a stand-alone thriller (not part of the Heck saga), but packed with all the usual intensities. It’s published on January 15, but for those eager to act now, you can pre-order by following the LINK.

Here’s the cover, which I absolutely love, and check out the blurb just below it.
 

It’s the perfect getaway. Until there’s no way out.

You have been dreaming of an unforgettable weekend escape, and Black Tarn Lodge seems to offer everything―a magnificent Gothic mansion with towering turrets nestled in the misty Lancashire hills.

Expecting elegant dinners, vintage wines and a screening of a legendary lost film in the private cinema, all seems perfect. Until night falls and a thick fog isolates you from the world. Your phones go missing. Guests start vanishing. And then you find the body.

Someone, it seems, fell from the roof. But you can’t help wondering if he was pushed. Totally cut off, you cannot leave or call for help. You don’t know these people. But you need to decide who you can trust soon. Because someone is going to be next―will it be you?


THRILLERS, CHILLERS, SHOCKERS AND KILLERS

Works of dark literature that I have recently read, thoroughly enjoyed and heartily recommend (sometimes with a few lighter ones mixed in).


THE DICTATORS 
edited by Iain Dale (2024)

From murderous brutes to weird eccentrics, there’s never been a shortage of individuals who simply couldn’t rest until they were running everything (usually into the ground). Absorbing compendium of some of the world’s worst ever political leaders, courtesy of a distinguished range of scholars. Informative, insightful, occasionally eye-popping in terms of its grim detail, and often perturbing. Don’t be fooled: authoritarianism is NEVER the answer.

THE DEVIL’S PLAYGROUND by Craig Russell (2023)


A horror film so terrifying it is said to curse all those connected with it. A beautiful film star mysteriously murdered. A studio fixer charged with uncovering a nightmarish truth. Hollywood in the 1920s is lusciously evoked in this intoxicating Noir, which wallows in decadent glamour and yet smoulders with menace. Undertones of supernatural horror only add to the immersive mix. A dazzling but dangerous trip into Tinseltown’s dark past.

THE SEARCHERS 
by Alan Le May (1954)

In 1860s Texas, an embittered Civil War vet and his adopted nephew search high and low for the niece abducted by Comanches. The novel everyone thinks they know because of the film, though it differs in many ways. Unflinching, unromantic portrayal of the West, with dust, grit, brutal shootouts, hard talk, and the ongoing, irreconcilable culture clash. At the same time a penetrating study of love, hatred and limitless revenge. A grim, quick, compelling read.

THE MEMORY OF BLOOD 
by Christopher Fowler (2012)

When a baby is thrown from a sixth-floor window, seemingly the victim of a life-size Mr Punch doll, elderly Peculiar Crime Unit detectives Bryant and May enter the world of puppet shows and Grand Guignol theatre. A locked room mystery par excellence, peppered with clues and layered with London esoterica, which gradually expands into a compelling conspiracy thriller. My only bemusement is that Bryant and May aren’t yet on the TV.

WITHERED HILL 
by David Barnett (2024)

When worldly Sophie finds her way to the idyllic village of Withered Hill, she soon learns that she’s to be held prisoner there, not so much by the polite and friendly villagers, as by the malign presence in the nearby forest. Full florid folk horror, filled from the start with eeriness but increasingly more terrifying, the author offering an original and hugely sophisticated twist on the ‘remote rural community’ trope. Walking in the Lancashire woods will never be the same again.

ROME by Ben Kane (2025)


Rome, 410 AD. The Western Empire enters its final days. But in a time of blood and turmoil, a young noblewoman employs guile, charm and ruthless defiance not just to survive, but to become an empress for the ages. Teenage Galla Placidia came to prominence in the midst of Western Rome’s chaotic decline, rebels and traitors abounding, barbarians on the rampage, cutthroats around every corner, and yet was clever and tenacious enough to stabilize Roman affairs and enrich Roman life for decades to come. Strong, likeable characters – the heroine supported mainly by a single nursemaid and a devoted but Conanesque bodyguard – convey the reader through a webwork of war, intrigue and betrayal, through multiple close shaves with death and constant ethical dilemmas as morality clashes with realpolitik, all of it neatly packaged in a typically fast, readable adventure from the age of epic fiction. Yet another dramatic passage from real history given Ben Kane’s trademark five-star gloss. But beware the assassin’s blade … simply reading this book feels dangerous.

THE KINGDOM OF THE WICKED by Anthony Burgess (1985)

After the crucifixion, Christ’s disciples face huge risks as they spread his word across a world that hates them. Meanwhile, the Roman emperors descend through various stages of madness, culminating in the malevolent tyrant, Nero. Irreverent, unromanticised portrayal of a key moment in history, the sceptical Burgess humanising all involved, adding wry humour to the brew, along with masses of torture and murder, as he interrogates the origins of the West. Controversial stuff, sumptuously written.

WOLF SIX by Alex Shaw (2025)


When a top Ukrainian agent interrupts a Chicago bank robbery, he sets off a whirlwind of explosive events concerning the Russian mob, the CIA and hitmen from across the globe. Shaw hammers the hi-octane pedal in this first instalment of his all new action series. Grenades detonate, hollow-tips rip home and lethal blows land everywhere as Ruslan Akulov, aka Wolf Six, deals with enemies on all sides. A breakneck romp through the murky world of spec ops killers, organised crime and international conspiracy. Guaranteed tense reading.

MURDERLAND: CRIME AND BLOODLUST IN THE TIME OF SERIAL KILLERS 
by Caroline Fraser (2025)

During the 60s, 70s and 80s, the US lay in the grip of a serial murder pandemic, no region more so than the picturesque Pacific Northwest. It was an ongoing, inescapable nightmare, but the possible cause was a horror story in its own right. Caroline Fraser’s strongly worded contention, crammed with impressive stats, that lead and arsenic pollution, as well as ruining lives and the environment, created a terrifying crimewave. A tad uneven for me – other potential causes are ignored, and time is wasted with several personal introspections – but overall, it’s a vivid, compelling argument which bears serious consideration. Destined to be a True Crime classic, I feel (many industrialists under the lens, along with the killers!). Meticulously researched, angry in tone and though gruesome in parts, determinedly non-voyeuristic. A big, thick tome but a fast, absorbing read. High quality work.

NEPTUNE’S RECKONING 
by Robert J Stava (2020)

Historian, Will Vanek, has a personal interest in the discovery of the lost WW2 ship, Neptune’s Reckoning, so he’s eager to join the dive team. But the coast of Montauk, Long Island, is far from ordinary. Tales of monsters abound, and evil experiments, and even alien incursions. Which are true, or rather which aren’t? Enjoyable sci-fi horror romp drawing on rampant urban mythology. One or two extraneous characters, but lots of deep-sea scariness and seat-edge action. A vivid and highly visual ocean adventure.

FROM BELOW 
by Darcy Coates (2022)

An adventurous film crew dive the wreck of a legendary sunken cruise liner and encounter an unspeakable supernatural truth. The slow burn start soon gives way to utter, ongoing terror as the perfectly preserved ship becomes a deep-water labyrinth filled with appalling adversaries. Technically superb – this feels like a genuine, complex dive – but the writing standard elevates it to the highest level of mystery/horror. A must for all lovers of oceanic nightmares.

CURSE OF THE REAPER 
by Brian McAuley (2022)

A one-time horror star slowly succumbs to the control of the screen killer he brought so scarily to life, but is it all in his mind? A distinctly grown-up take on the slasher subgenre, McAuley keeping one foot in each of the horror and thriller camps, spattering his tale with gore but at the same time taking a deep dive into the world of madness and obsession. An intense slice of Hollywood psychosis, superbly written and characterised.


Monday, 13 October 2025

It’s time for TERROR TALES OF CHAOS

It’s my great pleasure today to finally reveal the cover and contents of the latest volume in the TERROR TALES series.

TERROR TALES OF CHAOS is a special bumper edition, available in hardback as well as paperback and ebook, which was commissioned to coincide with the WORLD FANTASY CONVENTION 2025 in Brighton (Oct 30-Nov 2), where it will be officially launched. 

It was a great honour to be asked to do this, and a perfect opportunity from my POV for the series to finally start branching out from the geographic locations where it has previously dwelled, into a world of dark fiction opportunities that are infinitely broader.

Before I talk anymore about the book, here’s the official cover - courtesy again of that astonishing artist, Neil Williams, and below that the blurb, the full Table of Contents and the usual batch of juicy excerpts:

Children of chaos, servants of darkness, monsters, aberrations and other devilish entities. From slavering man-beasts in dank, icy forests to strangler vines in tropical deathtraps, from the cold-blooded songstress in the depthless lake to the soulless suburban killer who looks just like you. The myths and folktales of all civilisations are filled with heinous miscreations, abominable beings who exist purely to wreak mayhem …

The giant serpent of the Richtersveld
The shapeless leviathan in the Polar Sea
The stone colossus of Prague
The winged predator of Thebes
The snow beast of the Balkans
The many-headed horror on Erytheia
The corpse eater of the Middle East

A feast of terrifying tales by: CC Adams, David Barnett, James Brogden, Simon Clark, Paul Finch, Helen Grant, Christopher Harman, Carly Holmes, SL Howe, Stephen Laws, Tim Lebbon, Keris McDonald, Mark Morris, Reggie Oliver, Lynda E Rucker, Sarah Singleton, Simon Kurt Unsworth and Stephen Volk.

CONTENTS

Draugr by Keris McDonald
Golem
Ogre by Stephen Volk
Lamia
Redcap by Christopher Harman
Wendigo
Nephilim by Reggie Oliver
Grendel
Polyphemus by Helen Grant
Werewolf
Bauk by Simon Clark
Manananggal
Cockatrice by Sarah Singleton
Titanoboa
Nixie by Lynda E. Rucker
Organism 46-B
Medusa by C.C. Adams
Nuckelavee
Doppelganger by David Barnett
Ningen
Echidna by Mark Morris
Spring-Heeled Jack
Tupilaq by Simon Kurt Unsworth
Goblin
Harpy by Stephen Laws
Yateveo
Jorōgumo by SL Howe
Geryon
Kraken by Tim Lebbon
Ghoul
Baobhan Sith by Carly Holmes
Sphinx
Woodwose by James Brogden
Behemoth
Krampus by Paul Finch

Okay, I hear you ask ... what’s the story behind this one?

Well, to start with, for those who aren’t aware of the TERROR TALES series, we previously focussed on physical locations, be they parts of Britain or Europe (and don’t worry, those who are attached to this: there are many more of those yet to do), and my role as editor was to commission original dark stories (aka horror stories) relevant to these locations. I also took the occasional liberty of inserting a few classics in there too, and lastly - and very enjoyably - interspersed the works of fiction with true terror anecdotes: myths or folktales, or incidents of ‘true life’ terror that were also relevant to the region. (Anyone interested in the TERROR TALES back-catalogue, just follow this LINK).

TERROR TALES OF CHAOS, though (which can be bought on AMAZON or here on the TELOS SITE), is something a little different. It was born of a conversation between myself and David Howe, head honcho at TELOS PUBLISHING, at - of all events - Bristol CrimeFest a couple of years ago. My idea was to bring out a special, larger-than-usual edition (it will be the 16th in the series, if that matters to you), and with a wider than normal remit.

A firm lover of the series’ folkloric elements, I proposed TERROR TALES OF CHAOS, for which I would invite a group of writers to participate who have proved themselves time and again to be excellent masters and mistresses of the short horror tale, and would give each one a bunch of horrific names drawn from world mythologies (primarily monsters). When they’d each selected one of these, the deal was that they must write an all-new horror story using that name as the title.

When we had a full complement of wordsmiths on board, those monstrous names left over would be explored by me in the usual way, as anecdotes.

As those who follow the series will already have noticed, it’s a larger-than-usual Table of Contents this year. That’s because for all the reasons previously mentioned, TERROR TALES OF CHAOS is going to be a very special edition, a landmark in the series. We’re even doing a de luxe hardback version, complete with these nightmarish endpapers depicting a range of ghastly monsters making hay among the souls of the damned (the hardback can also be acquired at WORLD FANTASY).

I don’t want to say much more about it now, except that for those attending WORLD FANTASY 2025, the Telos event will occur at 5pm on the Saturday evening. Check your programmes for the location, but it will be in the main hotel. 

Just in case all this isn’t enough, here are several excerpts from the stories, just to whet your whistles ...

This time the box’s lid snapped up a centimetre or so before she pinned it back down with those thin, bare arms. He had a glimpse of something in the box, something grey and patched with mottled darker areas, before the lid clapped back down over it. Both girls giggled.
     Did they have something alive in there? Really? Despite himself Colley turned more fully towards the girls to try and work out what was going on. Something alive in the box? It seemed cruel. Was it a cat? A pigeon? God, was it a rat, all teeth and claws and a long, hairless tail, with an appetite unfettered by mercy or morals? He shuddered...
Simon Kurt Unsworth - Tupilaq

Her assertion that a mythical creature actually existed was entirely believable. Besides, hadn’t I seen the strangely elongated creature with my own eyes? Hadn’t I seen the horns on its head for myself? The answer is a resounding ‘yes’. As for its power to reach into the human brain. Hadn’t I seen Robyn inexplicably slow from a run to a shambling walk when the creature pursued him? And hadn’t I felt that intrusion of total dread when I had stood on the other side of the cellar door from the monster? Yes, I had. And it was such a strange sensation. I felt that malign intrusion passing through the layers of my skin, then penetrating the subcutaneous tissue before entering my flesh and blood and bones...
Simon Clark - Bauk

‘Nobody knows who or what Bosky Tom really is,’ he said. ‘Only that he’s hungry and he has a taste for human flesh. During the Civil War a company of Royalists were said to have taken refuge in Lesher’s Wood, and disappeared without a trace. The soldiers that went in after them found only blood and gnawed bones.’ He paused to let that sink in. ‘Some people say that they’ve heard strange noises, like something calling from deep within the woods, only not using words that anyone can understand.' ...

James Brogden - Woodwose

Monday, 6 October 2025

Wallowing in the real-life hellscapes of war


In three days time, my third historical novel, THE DEVILS KNIGHT, will be published by Canelo. Im truly delighted about this, as its the first part in a new medieval adventure series, and though its a kind of continuation of the family saga that readers will first have sampled in my original two historical novels - USURPER and BATTLE LORD - this one is set around 100 years after the Norman Conquest of England and engulfs us in in an entirely new set of warlike circumstances.

In this one, we get deep into one of the most famous battles of the medieval period, Arsuf, which was and also one of the most startling victories ... not least because Richard the Lionhearts crusader army, though it triumphed on that day, was forced to endure incredibly harsh conditions. I thus thought that it might be an interesting exercise to single out ten famous historical battles in which the geophysical conditions were so appalling that they themselves would have been sufficient to break most armies.

Before we do any of that, Id just like to say a little bit more about ...

THE DEVILS KNIGHT

Though Im perhaps better known as a writer for my crime-thriller novels and my horror short stories, during the Covid crisis, when I had a bit more time on my hands than usual, I started work on a historical action-adventure series. 

The outcome of that, as published in 2023 and 2024 respectively, was USURPER and BATTLE LORD. Together, they told the tale of a young English earls determination to win back his familys name and estate after it was seemingly lost during the apocalypse of the Norman invasion. We got some great reviews ...

A blistering, rip-roaring read...

At last, the definitive story of the battle of Hastings and its aftermath...

That said, Im sorry to report that those two books didnt sell massively well. Im certainly not as well known as PW Finch (my historical novel nom-de-plume) as I am by my real name, Paul Finch. So, Im hoping that the arrival of this new series, which follows the adventures of a crusader knight, Thurstan Wildblood, a straight-line descendent from my original Saxon heroes, will go some way to amending that.

However one big difference with THE DEVILS KNIGHT is that there are possible supernatural overtones. I should hastily add that this isnt a straight-up ghost story though there is a lot of horror in there, much of it of the manmade variety - I dont believe in depicting battles in anything other than their true, gaudiest, goriest colours - but there are elements of demonic horror in this one as well.

How far do we go with that? How much of it is genuinely a tale of Hell unleashed on Earth?

Well, I guess youll just have to read the forthcoming two novels to find out. As I said before, the first one, THE DEVILS KNIGHT, is published on October 9 (this Thursday) in ebook and paperback. An Audible version will follow in the next few months.

For those interested, we join Thurstan Wildblood while he is Knight-Commander of Richard the Lionhearts elite Familia Regis (or Household Guard). In the late 12th century, that would be an unusual position for an Englishman to occupy, as most the knights in Britain at that time were descended from the Normans who settled here after 1066. However, several of the rulers between William the Conqueror and Richard the Lionheart believed in rewarding good service, in particular Richards father, Henry II. And it was under Henry that Thurstans family, originally the Saxon earls of Ripon, who subsequently lost much of their influence during the Conquest, were restored to mightiness by being additionally invested with the much more powerful Earldom of Radnor, though now of course they are expected to fight continuously in the name of the king. 

In 1190, when Richard the Lionheart takes his vast Anglo-Norman army to the Holy Land, Thurstan, younger brother of the current Earl of Radnor, is already a veteran of several wars and a very accomplished knight. When we first meet him, hes an unsmiling, taciturn character who gives little away, but as Knight-Commander of Richards elite guard, he has a reputation for utter ruthlessness. This is counterbalanced somewhat by his squire, Pandulf, a likeable if overly trusting lad who is confident that under Thurstans cold exterior there's a good man waiting to come out, and his close friend, Bertrand du Voix, Knight-Banneret of the Familia Regis, and an obsessive follower of Christ who is convinced that only by recapturing Jerusalem will his soul be saved.

I'm not going to say too much more about it. If you want to explore the synopsis a little further, I was quite free with that info in the previous blogpost to this one. Just scroll down from here.

I should also mention at this stage that the second in the Wildblood series, THE DARK ARMY, an essential continuation of the first book, will be published next spring. If I say so, myself, Im very pleased with both of these novels. A lot of effort went into them: that all-important research of course, while I also went out of my way in the writing to really try to capture the atmosphere of the crusading era and the high Middle Ages, and of course to make those all important battle scenes, of which there are plenty, as gritty, bloody and bone-crunchingly realistic as possible.

On the subject of which, as promised ...

SLAUGHTER IN THE SUN ... AND THE RAIN, AND THE SNOW, AND THE MUD  

Ive already said that THE DEVIL'S KNIGHT includes what I hope is a very vivid recreation of the battle of Arsuf, which took place on the Syrian coast midway between Acre and Jaffa, on September 7 1191. Its often cited as one of several battles in which Richard the Lionheart established his credentials as a masterly general. In a nutshell, Richard, riding at the head of the crusader column (or ‘the Pilgrims, as they were referred to at the time), which was about 18,000 strong, was ambushed by a numerically vastly superior Turkish army (approx 30,000), and yet overwhelmed it in a single action, which the Lionheart had planned for an advance and executed to perfection. Leading from the front as he always did (which ultimately was the death of him, though not on this occasion), he routed his opponents with exceptional ferocity. As always in that era, the casualty numbers are uncertain, but at Arsuf they roughly approximated 7,000 men slain on the Turkish side, compared to 1,000 of the crusaders.

The battle itself (portrayed on the right by the always sure hand of Gustav Dore) which encompassed a single day, was actually the climax to an intensely brutal and protracted episode, in which Richard had led his army for several weeks along the malarial Syrian coastline, enduring extreme privations, from the raging sun of the Middle East in August to constant attacks by harrying squadrons of Turkish horse-archers. Turkish officers who were present would later write admiringly about the discipline of the crusader force, which on the way from Acre to Arsuf never once broke its rigid formation, both infantry and cavalry continuing to advance despite all manner of obstacles, even those among them who were ‘bristling with arrows

The secret of Richards success lay in his always keeping ships of the fleet coast at hand, so that his army was constantly supplied with foot and fresh water without having to weigh themselves down as they marched. On occasions the temperatures rose to what wed now consider the high 40s, and yet they endured as far as Arsuf, at which point the Turks, under the command of Sultan Saladin himself, finally decided that their foe was surely weakened enough and thus launched a massed attack. However, Richard had prepared for this by marching his army in strict battle formation, so all they needed to do was make a swift lefthand turn and they could counter-attack immediately, which they did, scoring an astonishing if gruesome victory.

I give more details about Arsuf in the book, though you can find plenty online as well. 

The upshot is that all this got me thinking about other battles in which the combatants were forced to suffer the most heart-breaking geographic and meteorological conditions. Thinking it would be interesting to dig out some of the worst, I started rummaging through my history books, and the ten I finally settled on, Ive listed below. 

Before we start, youll notice some obvious absences. And thats because the most obvious are already so well documented that they drip off the tongue quite easily. For example, the two worst battles in history in this regard would have to be Passchendaele (Jul-Nov 1917), and Stalingrad (Jul 1942-Feb 1943).  

In the former, of course, 440,000 British and British Empire soldiers were lost, compared to Germanys 400,000, during indescribably savage fighting across the sort of hellscape that even the most imaginative horror artists couldnt have conceived: miles of mud, twisted wire, water-filled craters, bombed towns and shell-blasted trees, and all of it cloaked in mustard gas. 

It was photographed very famously, of course, by James Francis Hurley, as you can see here. Launcelot Kiggell, a senior British staff officer, broke down and wept when he saw the battlefield afterwards, saying: ‘Good God, did we really send men to fight in that? 

In the latter meanwhile, Hitlers previously invincible 6th Army was annihilated to the tune of 1,500,000 men (though the Russians also lost 1,300,000) in the fiery and yet deep-frozen ruins of that huge industrial city on the River Volga, neither side giving an inch as they contested every room and street in one of the most gruelling battles in human history.

But as I say, Stalingrad and Passchendaele are known the world over for exemplifying the very worst that warfare can offer ... and as conflicts that took place under conditions that couldnt have been more testing if they'd been on Mars or Venus. And so now, purely for interest, and in historical order, Ive listed these other, lesser known in general terms perhaps, but nevertheless nightmarish engagements that were also notable for the grotesque conditions experienced by those involved. 

(I have done my level best to use real paintings by real artists to illustrate each one of these momentous events in history. Where the artist has not been credited, that is because I could find no details. If anyone would like to drop a name or two in the comments section, please feel free and I will promptly rectify. The image at the top, meanwhile, is Dull Gret by Pieter Bruegel the Elder).

1 BATTLE OF THE RIVER TREBIA (December, 218 BC)

The first major battle of the Second Punic War, when a large, well-equipped Roman army, at least 40,000 strong, was fatally lax in its preparations: it hadnt eaten properly, and then had to wade the heavy waters of the fast-flowing, ice-filled River Trebia, emerging in deep snow and bitterly cold winter wind, thus gaining no respite, many in fact dying from hypothermia, while the well-rested Carthaginian force, similar in size and each man smeared with oil to hold off the cold, came on at full strength. It was another massive victory for Hannibal. He lost 3,000 of his own men, but slew 20,000 Romans. 

2 BATTLE OF CARRHAE (June, 53 BC)

Famous for his defeat of Spartacus and subsequent crucifixion of 6,000 captured slaves, Roman general Marcus Crassus met his match when marching against the Parthian Empire. His army of 45,000 legionaries (seven whole legions) slogged across the burning sands of the Mesopotamian desert with inadequate water supplies, ravaged by dust storms and constant arrow showers courtesy of bands of Parthian light cavalry. By the time full battle was joined, the Romans were exhausted and parched, and easy prey for the Parthians, who suffered only minimal losses compared to the Romans 30,000. 

3 BATTLE OF THE TEUTOBERG (September, 9 AD)

The seemingly nonstop conquests of Augustus, first emperor of the Roman Empire, came to a grinding halt with this hideous bloodbath, three confident legions finding themselves lured into the depths of the great forest of the Teutoberg, where pounding rain and knee-deep mud monstrously hampered their advance. In addition, it was a world of deep shadows and infinite close-packed trees, which the Romans had no experience of. When barbarian prince, Arminius, and his black-and-green-painted warriors attacked, the overly straggled-out legionaries had no hope. 20,000 of them died, to 5,000 Germans. (Painting by Paja Jovanovic).

4 BATTLE OF TOWTON (March, 1461)

The bloodiest battle ever fought on British soil, when, at the height of the Wars of the Roses, 30,000 Lancastrians squared up against 30,000 Yorkists. Despite its Palm Sunday date, it was fought during an intense blizzard, which prevented the rival commanders from manoeuvring effectively, resulting in a colossal, nonstop melee, knights and men-at-arms engaging toe-to-toe in mud, blood and thickly churned snow, while both sides struck at each other relentlessly with massed ranks of longbowmen. The House of York won despite losing 10,000 men. The House of Lancaster meanwhile lost double that. (Painting by Richard Caton Woodville).

5 BATTLE OF INKERMAN (November, 1854)

The Crimean War was notable for extreme incompetence from the high command and incredible courage from the rank and file. But the difficulties of this particular battle were presented by a dense, freezing fog, which descended onto the icy battlefield at the beginning of the day and remained throughout, reducing visibility to no more than a couple of feet. Nevertheless, solid blocks of primarily British troops (with some French assistance) held their positions against waves of Russian cavalry and infantry, and won a stunning victory, losing 4,000 men to the Russians 12,000. (Painting by Marjorie Weatherstone).

6 BATTLE OF LAKE NAROCH (March, 1916)

A lesser-known affair in the West, which nevertheless came to define the insanity of frontal infantry assaults. Originally planned for WW1s frozen-solid Eastern Front, this Russian spring offensive fell victim to an unexpected thaw, which turned the entire battlefield into a literal swamp. The assaults went ahead anyway, entire regiments disappearing into the mud, many simply drowning, the rest destroyed by machine gunning, mortar fire and flamethrowers. Incredibly, some gains were made, but Russian losses were eye-popping, 110,000 to Germanys 20,000 (12,000 said to have died from hypothermia). 

7 BATTLE OF MONTE CASSINO (January-May, 1944)

One of the most horrific battles on WW2s Western Front, and though an important Allied victory, costly beyond imagining. A 240,000-strong force, comprising many international armies, but built around a core of British and Americans, stormed a series of mountain strongholds held by elite German companies in central Italy. Heavy snow in the early stages, followed by torrential rain, and finally blazing heat led to astonishing hardship, but the terrain itself, rocky and steeply sloped created a battle of attrition that was more reminiscent of WW1. The Allies lost 55,000 men to the Germans’ 20,000. (Painting by Peter McIntyre).

8 BATTLE OF KOHIMA (April-June, 1944)

A relatively small battle by WW2 standards, this ferocious engagement was still of vital importance, a besieged British and Indian force repelling the Japanese invasion of India. The outnumbered Allied forces held on stubbornly despite monsoon conditions, extreme heat, jungle sores, swarms of biting insects and a lack of clean water. There was much hand-to-hand fighting, bayonets and machetes against fiercely-wielded katanas, but dogged determination won the day, the Japanese withdrawing, having lost 7,000 men to the Allies 4,000. The National Army Museum proclaimed it ‘Britain's greatest battle(Painting by Peter Dennis).

9 BATTLE OF THE CHOSIN RESERVOIR (November-December, 1950)

Though a technical victory for the Chinese over the UN, this key battle of the Korean War is notable also for the astonishingly hard conditions - it was fought out over 17 brutal days in the midst of an Arctic freeze - and for the incredible courage of the 1st US Marine Division, who spearheaded the UN assault across extensive frozen marshland, finally breaking a numerically superior encirclement by the Chinese and enabling UN forces to retreat south to the safety of the 38th parallel (leading to the stalemate we know today). The UN lost 13,900 to the Chineses 60,000 (many of the latter from cold). (Painting by James Dietz). 

10 BATTLE OF DIEN BIEN PHU (March-May, 1954)

Despite the heroics of the French Foreign Legion, who parachuted into the action to reinforce their encircled comrades in this climactic battle of the 1st Indochina War, it was a massive overall defeat for the French Union (the old French Empire) by the Viet Minh (the communist-led Vietnamese nationalist coalition). It was earmarked by sustained artillery bombardments, massed infantry assaults and bitter, trench-to-trench fighting. Again, it was a grim tale of harsh terrain, monsoon rain and suppurating mud. The French lost 4,000 to the Vietnameses 14,000, but it signalled the end of French power in Vietnam. (Painting by Craig Wilson).