Friday, 25 October 2013

TERROR TALES OF THE SEASIDE is here!

I'm absolutely delighted to announce that the fifth volume in my series of regional British horror anthologies - TERROR TALES OF THE SEASIDE - is at last available to order from Amazon. As usual, its cover packs a massive punch courtesy of artist STEVE UPHAM, and it contains a number of stories by some of the genre's current finest writers, including STEPHEN VOLK, STEPHEN LAWS, RAMSEY CAMPBELL, SAM STONE and REGGIE OLIVER.

At the outset of this series, I discussed its potential with Gary Fry, head honcho at the immensely supportive GRAY FRIAR PRESS, and we agreed to try for an initial five in the series, just to test the water. Well, to date the books have sold so well and have won such praise that we are in no doubt we must continue, so for the moment at least, the books will run and run; two more are now scheduled and being worked on as we speak.

Today's launch sees the first in the series that doesn't actually restrict itself to any particular locale - though location, geography, folklore etc will always be important in these books - but rather focusses on a particular cultural aspect of British life: the traditional seaside holiday. Followers of the series will guess, rightly, that its release was planned to coincide with the WORLD FANTASY CONVENTION in Brighton at the end of this month (and it will be for sale at the Con with all the others in the series). Brighton itself is therefore spotlighted in the anthology, but so are various other popular coastal resorts like Torquay, Blackpool, Southport, Rhyl, Bognor and so on. Not that in this collection they are really underlined as places you'd like to visit.

Perhaps the back-cover blurb will explain:

The British Seaside – golden sands, toffee rock, amusement arcades. But also the ghosts of better days: phantom performers who if they can’t get laughs will get screams; derelict fun-parks where maniacs lurk; hideous things washed in on bitter tides …
  
The death ships of Goodwin
The killer clowns of Bognor
The devil fish of Guernsey
The Night Caller of St. Derfyn
The Black Mass at North Berwick
The grisly revenge at Brighton
The tortured souls of Westingsea
  
And many more chilling tales by Stephen Laws, Ramsey Campbell, Stephen Volk, Sam Stone, Simon Kurt Unsworth and other award-winning masters and mistresses of the macabre. 

Hopefully that will whet your whistles for more. But in case it doesn't, here's the full table of contents, which I'm sure you'll agree gives it added sex appeal (the italicised items are the 'true' tales with which I always like to intersperse the fictional ones):

Holiday From Hell by Reggie Oliver; The Eerie Events At Castel Mare; The Causeway by Stephen Laws; The Kraken Wakes; The Magician Kelso Dennett by Stephen Volk; Forces Of Evil; A Prayer For The Morning by Joseph Freeman; Hotel Of Horror; The Jealous Sea by Sam Stone; The Ghosts Of Goodwin Sands; The Entertainment by Ramsey Campbell; The Horse And The Hag; The Poor Weather Crossings Company by Simon Kurt Unsworth; The Devil Dog Of Peel; Brighthelmstone by R.B. Russell; The Ghouls Of Bannane Head; Men With False Faces by Robert Spalding; This Beautiful, Terrible Place; GG LUVS PA by Gary Fry; In The Deep Dark Winter; The Incident At North Shore by Paul Finch; The Walking Dead; Shells by Paul Kane; Hellmouth; The Sands Are Magic by Kate Farrell; Wild Men Of The Sea; Broken Summer by Christopher Harman.

Previous books in the series can still be purchased, and you don't need to go to WORLD FANTASY to get hold of them. They can be found at all good online retailers, such as Amazon, or at their point of origin, the GRAY FRIAR PRESS website. For those interested, they are: TERROR TALES OF THE LAKE DISTRICT, TERROR TALES OF THE COTSWOLDS, TERROR TALES OF EAST ANGLIA and TERROR TALES OF LONDON.

*

Don't forget, by the way, that my new e-collection, DON'T READ ALONE (70K words of spine-tingling horror) , is currently available for download on Amazon completely FREE of charge, and that it will remain so until midnight on October 27, from which point it will be subject to a special Halloween promotion and can be yours for only 99p, this second deal to run until November 10. 

Wednesday, 23 October 2013

This week only ... get your horrors FREE!

Anyone tempted by my latest e-collection of horror stories and novellas, DON’T READ ALONE, may be interested to learn that it will be FREE to download from midnight tonight, October 23, and will remain so until midnight on October 27.

From that point on, it will be subject to a special Halloween promotion, enabling those still interested to download it for only 99p. That deal in turn will run until November 10.

In case anyone is still undecided, allow me to fill you in a little on the book itself. Though I’m better known for writing crime and thriller novels these days, I have dipped into the horror market on a number of occasions, primarily to pen movie scripts but also short stories and novellas. I’m certainly no stranger to having collections of my stories published, though up until now only a handful have appeared electronically.

Anyway, all that is now set to change.

The first of these new e-collections, DON’T READ ALONE – which I repeat (because I reckon it’s worth repeating) can be yours completely FREE from midnight tonight until midnight on October 27 – comprises 70,000 words of hopefully chilling and challenging fiction.

It features five long stories in total, each one of which I’m fairly proud of – just read on for further details, snippets and such.

(I should point out that the images scattered throughout this column, while for the most part do not relate directly to these stories, should give some indication of the kind of horrors you’ll find in there).


THE OLD NORTH ROAD (winner of the International Horror Guild Award, 2007)

A disgruntled writer pursues the legend of the Green Man, only to run into trouble of a less ethereal kind on the isolated Old North Road …

“So … the Green Man, he wasn’t actually supposed to have existed then? He wasn’t like a god or spirit?”
“Well … no.” Drayton was caught on the hop: she’d clearly understood his introduction. “No, he’s more of a symbolic figure. His original meaning, if there ever was one, is lost to us now. He’s often associated with paganism of course, and fertility rites … but that’s all bollocks. It’s just New Age fantasy. In medieval times he was a representative of Nature … an embodiment of all its beauty and danger. The Church used him as an allegorical figure; an image of what Man could turn into if he didn’t stay on the straight and narrow.”
“Yuk!” she interrupted, and he knew immediately what she was looking at.
Among his notes, he’d inserted a variety of cut-outs and original photographs, the majority of them depicting the so-called ‘foliate heads’, the original and most common way in which the Green Man was presented to his mystified audience. These were invariably carvings, drawings or mouldings, usually found in religious buildings, and nearly always they’d feature a humanoid head that was either peeking out through dense vegetation or which had actually become part of that vegetation. In most cases, the semi-transformed heads were quite beautiful, their normal human features melding flawlessly into concentric layers of crisp new leaves, their hair hung with fruit and flowers, though one or two – and these were undoubtedly the ones that Shirley had just found – were more gory; in their case, thick vines tended to uncurl from the face’s gaping mouth, buds hung from the nostrils, branches often sprouted from the eye sockets, having first, presumably, popped out the eyeballs. They made for a very ugly sight, and Drayton had often thought them reminiscent of rotting corpses through which natural undergrowth had penetrated.


THE POPPET

When two college friends fall out over the same girl, one of them turns to withcraft, and unwittingly unleashes a nightmarish force …

I took the kettle from the cupboard, filled it at the sink and plugged it in, then went to close the blinds and draw the curtains, and as I did I glanced out of the window – down onto the quadrangle. And for the second time that evening I stopped dead.
Someone had just vanished out of sight below. Someone who had just walked diagonally across the quadrangle.
The chill went to my very bones.
There was nobody else here, I told myself. Aside from Cheerwick, and it certainly hadn’t been him. I tried to recall who it was I’d just seen. But no answer was possible, because who could there be in Crawford House who was less than three feet tall and walked with an ungainly limp?
A child maybe?
But there were no children here. And in any case, when did you ever see a child wearing a headscarf and old, peasant-type clothing?
Downstairs, I heard the swing and bang of the door being violently opened.
     A terrible second passed, before I threw myself across the room and yanked my own door open. What sounded like heavy but strangely hollow feet were clumping up the stone stair.


GRENDEL’S LAIR

A suspected murderer leads a bunch of a cops into a network of derelict air-raid shelters to find a missing child – where a hideous evil awaits them!

“Where the fuck are you taking us to?” Brunton asked. He was still coming the heavy, but the eyes were darting about, rabbit-like, in his red, pudgy face.
“We’re almost there,” Grimwood answered, a curious half-smile twisting his mouth.
A few minutes later they entered an area of tunnel more heaped with debris than anything they’d so far seen; huge sections of its roof and walls had long ago collapsed. In consequence, this space was the tightest and dingiest yet. A black fungus coated the damp and rotted fragments of wall that were still visible – it seemed to leach away what minuscule light there was, and fuelled the sensation that the party had now burrowed to the deepest point of the air-raid shelters. In that respect, when Grimwood suddenly stopping to think, chuckled and, hunkering down, began to scoop bricks and dirt away from the piled rubble with his cuffed hands, it filled the three cops with revulsion.
“Can you imagine,” Craegan said, “this slimy little toe-rag brought a child down here!” His gun was trained firmly on Grimwood’s back; sweat gleamed on his pallid face.
Lockhart glanced warily at the firearms man. “That’s behind him now though, isn’t it? Eh … Gordon?”
Grimwood made no reply.
“Confession’s good for the soul,” Lockhart added.
“So’s prison,” Craegan said, his voice rising. “Too good. He should’ve been strung up for what he did!”
Grimwood ignored him and continued to dig.
“Easy, Craegan,” Lockhart advised.
     “Easy?” For the first time, the firearms man looked round at the chief super. “Easy? He’s had it easy … for way too long!”


HELL IN THE CATHEDRAL

When holiday-makers are marooned in a Mediterranean sea-cave, they at first think it's a joke, only to find themselves at the mercy of a relentless and voracious beast …

“We may have another problem,” Dolph said. “This cave-system is of course tidal ... it may be that with high tide, some of these passages become impassable.”
The terror of that thought gripped us like a vice.  “Let’s go now!” I said urgently. “Now!”
We moved in a group towards the tunnel, at a steady breast-stroke – but not before Dolph handed us two flares each in case any of us got separated from the rest, though we were only to use them one at a time. The two Germans were proving themselves good companions – they both took off their flippers and fastened them to their harness, so as not to get too far ahead. As we swam, Karen came up beside me and asked if I was sure I could make it. I could have laughed. What choice did I have?
I could never have imagined however, just what a feat of strength and endurance was required even to make it out of that deepest chamber. Anyone who has ever tried to swim against a rising tide, even in shallow water off some pleasant beach, will know how difficult it is. For every three yards we made towards the black crevasse that was our first exit, the current pushed us back two. We gasped and grunted and strained every muscle, yet at the same time we knew we couldn’t afford to overtax ourselves. Just thinking about the distance between us and the outer world was unbearable. Mind you, I doubt in that particular moment that any one of the four of us knew the real meaning of fear.
One second later, we did.
It was Karen who first saw it coming up behind us. She was in front of me and had glanced around, concerned that I was dropping behind, when I saw her face change. She gave a shrill, prolonged scream. I looked around too, and had a fleeting vision of some vast shape barrelling towards us, under the surface.
     Before I could cry out, a huge object – squashy, rubbery, freezing cold – bundled into me with such force that I was catapulted out of the water and into the midst of the others.


THE BALEFUL DEAD

An ageing metal band reunite to make one last album, but the country mansion they choose for a venue has a history of madness, massacre and necromancy …

“Luke! Luke …wake up man!”
But it was too late. Because suddenly they were onto me, ragged hordes of black and ragged things swarming out from either side of the path. I ploughed into them, crunched headlong into their midst as though driving through a cluster of saplings. There was a grinding of metal, a tearing and snapping of fibrous limbs, and then bodies were being hurled aside or going down flailing beneath my wheels. The next thing, the world turned upside-down: the quad bike flipped over and I was flung hard onto the verge. I took the brunt of it on the right shoulder and the right side of my head. It knocked me senseless, and for some time I lay grovelling in the leaf-rubble and what I assumed was a pool of my own vomit. But even groggy, I knew that I wasn’t alone.
With agonised dizziness, I was able to look up.
The crash had put out the headlight, so I was denied much detail, but I sensed as much as saw them standing all around me – those still capable of standing, for I had mown a good number down, and I had the distinct impression that beneath their dented plate and mildewed leather they were more bones and filth than actual flesh.

(The witch doll image is by Malcolm Lidbury, the image of the Green Man costume is by David R. Tribble, and the image of the Green Man in stone by Johanne McInnis).

Sunday, 29 September 2013

Green men, maniacs and ghastly sea-beasts

To continue the horror theme from my last post, as opposed to the thriller theme I’ve concentrated on for so much this year, I can now announce that DON’T READ ALONE, a new e-collection of my stories and novellas is available for pre-order at Amazon, with an official publication date of October 11th this year.

Here is the cover, as provided by the ever-reliable STEVE UPHAM.

There perhaps isn’t an automatic cross-cover for readers between thrillers and horrors. Some are content to indulge in both, others less so. But as a writer, I have long been fascinated by the two sub-genres and have regularly worked in both, finding many overlaps between the two. It’s only in this last couple of years, of course, that my thriller novels, the likes of STALKERS and SACRIFICE (with HUNTED due out from Avon Books in February) – action-fuelled crime tomes following the investigations of DS Mark Heckenburg – have become bestsellers and have subsequently started to occupy much of my time. But before then, I had a long history of producing horror stories and novellas for magazines and anthologies on both sides of the Atlantic. Some 300 have been published to date, going back to the early 1990s; two of these have been the recipient of the British Fantasy Award, and one of them won the International Horror Guild Award (so I like to think I knew what I was doing).

However, by the nature of the beast, many of the titles in which these first appeared are now deleted, out of print or were the work of small printing houses since defunct; either way, completists are finding them elusive to collect, and new readers can only ever find them as titles in back-lists. As such, in the age of the e-book, it seemed an obvious thing to look at the best of these again, tighten and trim where necessary, and re-issue them as e-collections.

That, somewhat loosely, is the new plan.

DON’T READ ALONE will hopefully be the first in a rolling programme of new e-publications – each containing about 70,000 words – drawing on the best of my short horror stories and novellas, and each one assembled with tales specifically chosen to complement each other but also varying in subject matter so there should always be something for everyone (the one overarching feature, if I say so myself, is fear – I prefer my stories to be as frightening as possible, or at the very least suspenseful and unnerving).

Audio versions and even paperbacks may follow in due course, though I’m not totally sure how that latter scheme will pan out at this early stage. If you’re interested in that, keep watching this space.

The table of contents for DON’T READ ALONE is as follows:

The Old North Road (first published in Alone On The Darkside, 2006, and winner of the International Horror Guild Award): A writer investigating the myths surrounding the Green Man has a terrifying chance encounter on a lonely woodland road ...

The Poppet (first published in Enemies At The Door, 2012): A self-centred student does the dirty on a college pal, only to find his fate interwoven with a mysterious faceless doll ...

Grendel’s Lair (first published in Beneath The Ground, 2003): A callous cop, a brutal criminal, a missing child - and something unspeakable in a derelict air-raid shelter ...

Hell In The Cathedral (first published in The Shadows Beneath, 2000): Brit tourists in the Med are taken on the boat-trip of a lifetime, but find themselves at the mercy of a voracious sea-beast ...

The Baleful Dead (first published in Groaning Shadows, 2009): An ageing metal band hook up at a lonely country manse to record one last album, unaware that their scheming manager has a 'foolproof plan' to summon assistance from beyond ...

Tuesday, 17 September 2013

Ten times the horror - Black Book is back!

Very pleased this week to announce that another volume in one of my current favourite series of horror anthologies, THE 10th BLACK BOOK OF HORROR (the artwork to which is pictured left), will soon be published.

As many may know, penning short horror stories is one of my favourite past-times – I have a back-catalogue of such that goes back into what feels like ancient history – but given the amount of time I’ve been putting into my new series of cop thriller novels from Avon Books, I’ve had almost no time at all of late to write pieces of short fiction.

It isn’t a complete non-starter. I still manage to crank them out now and then, but they are, alas, few and far between these days. That said, the BLACK BOOK OF HORROR series (MORTBURY PRESS) is one I will always try and contribute to. The brainchild of editor Charles Black, it is very much heir-apparent to the famous PAN HORROR series of the 1960s and 1970s in that it sees the publication of an annual anthology of horror stories, which vary from the most gruesome and disturbing kind of contes cruels, to clever psychological mindwarps, to the kinds of eerie supernatural mysteries that hark back to the golden age of the English ghost story.

The 10th BLACK BOOK OF HORROR is due out very shortly, and it will the ninth one I’ve been fortunate enough to have a story included in (the only one I’ve missed thus far is BBH#2, though I sort of doubled up in BB#8, as the cover featured an image of my severed head – which was a little bit unnerving). Anyway, my contribution to BBH#10 is a story called MARSHWALL, which, without giving too many spoilers away, concerns a lonely house on the edge of a desolate, waterlogged wilderness, and its less than savoury occupants.

I can’t actually give you a date when this book will be available, but for anyone fortunate enough to have a ticket, it will most likely be getting an official launch at World Fantasy in Brighton at the end of October. If anyone still needs convincing, here’s a LINK to a rather neat little video put together to celebrate this series by regular contributor and resourceful mistress of the night, ANNA TABORSKA.

And if that isn’t enough for you, here’s the TOC for BBH#10:

STIFF by Angela Blake; THE EASTER BUNNY by Tom Johnstone; THE LAST TESTAMENT OF JACOB TYLER by David Surface; THE WAR EFFORT by Carl P. Thompson; THE PRE-RAPHAELITE PAINTING by David A. Sutton; CHRISTMAS IN THE RAIN by Chris Lawton; DEEPER THAN DARK WATER by Gary Power; MARSHWALL by Paul Finch; EXPLODING RAPHAELESQUE HEADS by Ian Hunter; THE BEST CHRISTMAS EVER by John Llewellyn Probert; THE PYGMALION CONJURATION by Mike Chinn; THE BOY by David Williamson; THE LAST WAGON IN THE TRAIN by Andrea Janes; DAD DANCING by Kate Farrell; GUINEA PIG GIRL by Thana Niveau.

Sunday, 25 August 2013

Plenty of prizes for Cotswolds curiosities


It's always nice to see your choices vindicated.

Okay, I suppose I should explain that statement.

Each year, US editor ELLEN DATLOW brings out her rather marvelous tome, BEST HORROR OF THE YEAR. It's a kind of American cousin to STEVE JONES's MAMMOTH BOOK OF BEST NEW HORROR, though very rarely do the selected short stories in the two anthologies overlap - a sure indicator of the two editors' eclectic tastes (and a great bonus for fans of the genre like me, as that means I'm fully justified in buying both).

Each year, Ellen also includes a long list of 'honourable mentions', which is basically a list of those stories she wasn't able to include in the book because of space limitations, but which she heartily recommends her readers to seek out anyway.

Now ... it's a moot-point as to how satisfying it is for an author to see his/her work on this list rather than reprinted in the book. You don't get paid for inclusion on a list, after all. But I've always felt that, if nothing else, it's nice to at least be recognised by an industry professional like Ellen. It shows that she's read your work and enjoyed it to the point where he has no hesitation in drawing to the attention of others - which is some kind of result, even if it's not the sort that sets your pocket jangling.

For this reason, I'm pleased and rather proud that in this year's list of HMs - as it appears in the BEST HORROR OF THE YEAR #5, Ellen as chosen to include 12 stories from my TERROR TALES series' 2012 output. We released two volumes last year - TERROR TALES OF THE COTSWOLDS and TERROR TALES OF EAST ANGLIA - and both have hit a number of sixes for us. COTSWOLDS has of course been short-listed for the British Fantasy Award in the capacity of Best Anthology, and both COTSWOLDS and EAST ANGLIA have seen stories selected by STEVE JONES for MAMMOTH BOOK OF BEST NEW HORROR, (but I don't know if I'm allowed to name those yet, so I won't), but the following are now immortalised on Ellen's world-famous list:

TERROR TALES OF THE COTSWOLDS

The Shakespeare Curse - Simon Clark
Hoxlip And After - Chris Harman
In The Dark And In The Quiet - Alison Littlewood
Wassailing - Steve Lockley
Straw Babies - Gary McMahon
Charm - Reggie Oliver
The Cotswold Olimpicks - Simon Kurt Unsworth

TERROR TALES OF EAST ANGLIA

Shuck - Simon Bestwick
Wicken Fen - Paul Finch
Deep Water - Chris Harman
Like Suffolk, Like Holidays - Alison Littlewood
The Spooks Of Shellborough - Reggie Oliver

So congratulations to all you guys and gals. Well done indeed.

And just to put any of you guys who haven't already bought these amazing anthologies into the mood, here are some pics taken from mine and Cathy's recent trip to the Cotswolds. Topside, I walk one of the inner circles at Avebury Henge - a complex neolithic religious site. In the middle - there are many ancient hill-figures carved into the overlapping landscapes of the Cotswolds and West Country; here is one - the Cherhill White Horse (though unfortunately, this one isn't quite so ancient - it only dates from 1790). And at the bottom (just overhead) I take my life and soul in my hands by entering deep into the mystical heart of Oldbury prehistoric barrow.

Thursday, 18 July 2013

SACRIFICE hits the shelves - thanks to all


Today is publication day for SACRIFICE, the second in my new series of police novels following the investigation of Detective Sergeant Mark ‘Heck’ Heckenburg.

The internet appears to have been going mad on this matter in the last few days. Friends, loved ones and comrades-in-pens – of which I’m fortunate enough to have very many – have been hugely supportive, re-tweeting my tweets on the matter, sharing my Facebook posts and generally spreading the word (I can’t thank all you guys enough, but I shall endeavour to in due course – I think I owe a lot of people a lot of drinks). The remarkable image above is a screen-capture from the Apple iBookstore, which shows us sitting right in the middle of its new banner.
  
Amazing – that’s all I can say. And a great honour.

The net-result of all this is that, in terms of statistics alone, SACRIFICE has now officially become the most anticipated book in HarperCollins history. I still can’t quite get my head around that. Before today, it had racked up over 14,000 pre-orders, which apparently has never happened before for any book produced by that great publishing house. Equally bemusing to me are the sales figures now accrued by its forerunner, and the first in the Heck series – STALKERS. The last time I checked, it had sold around 160,000 copies since February, which is simply bamboozling. It would be quite staggering if SACRIFICE was to match that figure, but that’s in the hands of God.

Again though, I have to thank people – readers, fans, friends – for trusting my story-telling skills sufficiently to dip into their pockets and take a chance on me. Hopefully I won’t disappoint. I must also thank my agent, Julian Friedmann, for all his support and advice as we evolved the concept of Heck, my editor at Avon, Helen Bolton, who has been the massive and benign driving-force behind the series (not to mention her many, tireless colleague), and my wife, Cathy, who for 25 years now has been the rock upon which this writing career of mine was built.

So thanks again to all of your who’ve played your part, no matter how small.

I’m off to the HARROGATE CRIME-WRITING FESTIVAL later today, where once again I’ll be among like-minded individuals, scribblers of edgy fiction, whose minds range darkly and yet who are among some of the best guys and girls you could ever hope to meet. How well that’s fallen for me. I don’t believe I could think of a better place to spend Publication Day.

Saturday, 13 July 2013

Freebies, give-aways, samples - go get 'em!

Well, it’s another lovely sunny day in July, and there is a tranquil mood over most of the UK, but it’s actually the commencement of quite an important week in my little corner of south Lancashire.

First of all, I’m off to the HARROGATE CRIME-WRITING FESTIVAL on the Thursday, which will be a new experience for me. I’m an old hand at horror and fantasy festivals, but still a relative newbie to the crime and thriller scene, so I’m anticipating this one with a mixture of excitement and nervousness.

Secondly, SACRIFICE – the next in my new series of DS Heckenburg novels – is published on Thursday (July 18), and even though it’s still only Saturday, I’m already detecting a bit of press and publicity activity on this front. I had to field a couple of phone-calls from journalists this last week regarding the new book’s record-breaking pre-orders, which was a nice experience even if I wasn’t really able to answer the main question, which in both cases was: “How did this happen?”

At least I’ve been able to direct all those interested, both journalists and readers alike, to a free sample of SACRIFICE, the first two chapters of which can be accessed online HERE

In another Heck-related development, the audiobooks for both STALKERS and SACRIFICE will also be launched on Thursday, as read by experienced film and TV man, PAUL THORNLEY. Those interested can purchase HERE FOR STALKERS and HERE FOR SACRIFICE, but if you still need to be persuaded, free samples are again available from both books and can be listened to here: STALKERS AUDIO and SACRIFICE AUDIO.

Still on the subject of freebies, a SACRIFICE give-away is being run on GOODREADS from Monday morning until Thursday night. Apparently there are 20 copies to be had, so it’ll be well worth popping in there from Monday onward.

 And now, as they say, for something completely different. The SACRIFICE cover a little further up this column speaks for itself, but you may wonder what purpose is served by those others dotted here and there through the text. Well … these are a bit of an appetite whetter.

I’m pleased to say that the DON’T READ ALONE series is a new venture I’ll be starting in the very near future, and, (if you hadn’t already guessed), these are the covers for the first three volumes: GHOSTS, KILLERS and MONSTERS (thanks again to the indefatigable STEVE UPHAM for his incredible artistic efforts here, and to STEVE LOCKLEY for his editing and proof-reading skills).

Basically they are a series of ebook collections, about 50 to 60 thousand words each, comprising the best of my extensive back-catalogue of horror and thriller stories and novellas (in many cases reviewed, tightened up, improved, etc). I'll try to bring these books out at a rate of six a year, if possible, and will also from time to time be including new material in them, though that won’t be happening with every volume.

Anyway, the series isn’t quite ready to launch yet but it won’t be long. So keep checking in for availability details, tables of contents, and so forth.