Sacrifice at last takes a real, physical form

At last, my new Mark Heckenburg novel, SACRIFICE, has a physical form – and here it is. I can now relax in the full knowledge that it actually exists.

I’m being mischievous, of course.

The book received its final proof-read several weeks ago, so it was only a matter of time before it rolled off the presses, but it’s always a joy for an author to see your dreams and imaginings take a solid, tangible form.

SACRIFICE is the second in the Heck series, following on from STALKERS, and it takes more of a police procedural line as Heck and the rest of the Serial Crimes Unit are pitted against a so-called ‘calender killer’, a maniac working on a monthly cycle as he celebrates holidays and festivals with gruesomely appropriate human sacrifices. Folk can rest assured, however, that the action quota will be as high as it was in the first book, if not higher, and that I’ve gone out of my way to make it as scary and disturbing as possible.

On a different matter, but still on the subject of scares, I’m very proud to announce that TERROR TALES OF THE COTSWOLDS, the second in my ‘round Britain’ series of regional horror anthologies from GRAY FRIAR PRESS, has made the final ballot for the British Fantasy Award in the capacity of Best Anthology. This series originally stemmed from my love of regional British folklore and myth, and in all cases the authors contributing were asked to bear this in mind when writing their stories. So for example, with TERROR TALES OF THE COTSWOLDS, Thana Niveau told a tale concerning the famous Uffington Horse, John L. Probert discussed the magical properties of Cotswold stone, and Simon Clark reawakened a Shakespearean curse on the streets of Stratford-upon-Avon, among many others of course – there are usually about 13 original stories in each of these anthologies. One of the unique features of the series, though I will admit to having been influenced by the late, great Ron Chetwynd-Hayes in this regard, is my determination to intersperse true-life instances of folklore-related terror between the stories – just a page or so in each case, a palate-cleanser before the next dish is served.

Four titles have now been published in the series – LAKE DISTRICT, COTSWOLDS, EAST ANGLIA and LONDON, and though COTSWOLDS is the first to be honoured with a final nomination for the British Fantasy Award, several tales from the other volumes have been selected for reprint in various Year’s Best editions, so overall they are making an impact.

On the same subject, the next book in the series, TERROR TALES OF THE SEASIDE, is now in the latter stages of compilation. As editor, I’m very happy with the stories thus far residing in it, and feel strongly confident that we’ll have this next book out in time for WORLD FANTASY at Brighton over the Halloween weekend. Those attending must keep their eyes peeled; we'll only have so many, and with luck they'll go like the proverbial hot cakes.

Heck to hunt down more merciless killers

I'm rather pleased to announce that STALKERS has finally earned itself 500 reviews on Amazon. It's even nicer to report that 278 of them have awarded it five stars, and 139 have given it four, a grand total of 417 who've given it the big thumbs-up. Nothing pleases an author more than knowledge that the audience is enjoying his/her work. The total sales of STALKERS, which is my first thriller novel - published by Avon Books (HarperCollins) in February this year - now stands at just over 145,000, which is way more than I anticipated when I first made the sideways jump from horror into crime.

The immediate follow-up to STALKERS, and my second outing for Detective Sergeant Mark 'Heck' Heckenburg, SACRIFICE, is due for publication next month, and though it's six weeks away, we already have 10,777 pre-orders on that, which I'm now informed - and this really blew me away - makes it the second most pre-ordered book in HarperCollins's history (and the company's current record-holder is not necessarily safe - we still have plenty of time yet).

Just out of interest, for anyone in the UK who's yet to get hold of a copy of STALKERS, here's an opportunity you may want to take advantage of. Just follow this link to GOOD READS, where there are five copies of the book to be given away.

I can also now officially break the news that, in consequence of all his, I have a agreed a new five-book deal with Avon, to kick in as soon as the third book in the current Mark Heckenburg series, HUNTED, is published next February. So that's eight novels in total I'll be writing for Avon. At a guess, at least three of that next five will be further Heck investigations - maybe all of them will be, but it's highly possible that I may write a couple of stand-alones too. It often pays to spread your wings a little, as they say.

Anyway, if you'll forgive me a personal insight, I'm finding all this incredibly exciting and will be celebrating with a few glasses of bubbly at the HarperCollins summer party in July. If anyone happens to be there, please introduce yourself and we'll chat.

Also, don't forget (if you're interested, of course), that as per the advert reprinted above, I'll be attending Waterstones at Liverpool One on Friday August 2, and sitting on a special TWISTED TALES panel with two fellow crime/horror authors, SARAH PINBOROUGH and ALISON LITTLEWOOD. We'll all be reading extracts from our new novels, answering questions and signing anything that gets put in front of us. As I understand it, tickets, which cost £3 (£2 with a loyalty card), are either available in store or can be booked on 0151 709 9820.

And now, on a completely different but hopefully equally chilling note, TERROR TALES OF LONDON, the fourth anthology in the round-Britain series of horror anthologies that I'm editing for GRAY FRIAR PRESS, has now been published, as demonstrated here by some absolute goon who clearly has no idea at all how to pose for the camera.

It looks and feels great, as they always do of course the first time you get your hands on them. I'm as delighted by this latest volume as I was with all the others, and I think you'll agree the TOC comprises some fairly hefty names from the annals of dark fiction (it includes such luminaries of the industry as ADAM NEVILL, MARK MORRIS, NINA ALLAN, CHRIS FOWLER and NICK ROYLE). The anecdotes in this particular volume have given me extra pleasure - by 'anecdotes' I'm referring to the non-fictional incidents of true-life horror with which I intersperse the actual stories. TERROR TALES OF LONDON is the first exclusively urban district that we've covered in this series, so, as you can imagine, there was a bit more scope than usual to include articles on madmen, murderers and other maniacs. Trust me, this one ain't just about ghosts (though we've got plenty of those too, and a few demons and monsters).

Still on the subject of horror, and to continue on the round-Britain folklore/mythology trail, I received some more welcome news this week, when I learned that GHOST REALM has now made it onto ebook courtesy of ASH-TREE PRESS.

For those who don't know, GHOST REALM was a collection of my stories and novellas, which was first published in 2008. The two things that marked this one as being different out from most of the others were, firstly, that it contained only original pieces - none of the stories in GHOST REALM had been published previously and none have been republished since (until now of course). Secondly, they each represented a different corner of Britain, and told a spooky story particularly associated with that district, drawing on local myth, lore or history. In many ways, it was a forerunner of the TERROR TALES series, which kicked off two years later, though on that first occasion of course it was all my own work. It's something I'd love to do again - GHOST REALM 2 has a nice ring to it, as does GHOST REALM 3 and GHOST REALM 4 - but at present lack of time poses a big constraint.

Anyway, to whet your whistle about the original, here's a quick rundown of the contents:

The Killing Ground - A movie star takes a Christmas retreat in the snowy Herefordshire countryside, but first recruits a couple of private eyes to ensure there is no truth in the local rumour about a mysterious roaming cannibal.

The Gallows In My Garden - A woman fleeing an abusive relationship, seeks comfort in the wilds of East Anglia, only to find herself in a cottage close to the site where a maniac strangler was hanged in the eighteenth century.

Be He Alive, Be He Dead - A vengeful husband hatches a complex scheme, but his hideout in London's East End is compromised by a mysterious curse, annually preceded by the stench of burning flesh.

Tregeagle’s Cove - On a sun-drenched summer day, a tough Cockney businessman takes an ill-advised boat trip to an isolated beach on the very tip of Cornwall.

The Crannog - Twitchers travel to a secluded lake in the Welsh mountains, camping out on a eerie isle rumoured to be the last remnant of an ancient, sunken city.

This Place! - Bored South Coast teenagers break into an off-season theme park, but it doesn't inspire them much - until they start to suspect that they aren't there alone.

Bloody Essex - A left wing academic and right wing journalist clash over the truth behind the stories of Queen Boudicca, but it takes a turn for the nasty in the lonely groves of Epping Forest.

In The Black And Stinking Fume - A TV medium outed as a charlatan tries to rebuild his career by exposing witchcraft in the backstreets of modern day Edinburgh.

The Moon Rising Red - When a vicious Stone Age ritual is re-enacted, a woman in a lone Lake District farmhouse is terrorised by three nameless, nightmare entities.

Safely at home with the criminally minded

Well … I’m finally starting to feel as if I’m a genuine member of the crime-writing community.

You might argue that with STALKERS selling better than I ever imagined possible (soon to be launched in Germany, Hungary and Poland – whoohooo!), the sequel SACRIFICE due out next month and the first draft of the third book in the series, HUNTED, almost at completion, I’m already there. But I’ve always been slow to make positive assumptions about myself. I don’t know what it is – some flaw in my personality, but I always feel like as if I need more proof about my own stuff.

However, things are now starting to happen that I’m finding massively encouraging.

To start with, I spent last week at CrimeFest in Bristol. It was my first ever visit to this annual international gathering of thriller writers, and I felt home from home. I met and chatted for ages with some amazing people: LUCA VESTE, MARK SENNEN, HOWARD LINSKEY, NEIL WHITE, MATT HILTON, MARI HANNAH, NICK QUANTRILL, STEVE MOSBY, DAVID MARK, not to mention numerous others (some of whom get tagged later in this column, but apologies to anyone I've missed out entirely).

It was hugely gratifying for a former horror guy like myself to be welcomed so warmly. In many ways it was an education too. It seems that even the most successful, multi-selling crime writers are apparently plagued by the same uncertainties and doubts about their work: not just the technical stuff like characterisation, pacing, authenticity and so on, but also those often unspoken matters of taste, decency and morality. I attended one particularly fascinating seminar, which addressed the issues of sadism, violence and human degradation, and asked the question just how far, as writers, should we be willing or even allowed to go when this is essentially an entertainment medium.

It’s funny but those matters always seem more straightforward when I’m writing horror. At the end of the day, everyone knows that’s a fantasy. When you’re writing crime, it’s far less clear-cut.

Anyway, enough navel-gazing. Suffice to say that CrimeFest was an absolute blast of a weekend, and I’m now looking forward very much to the HARROGATE CRIME FESTIVAL in July.

The picture at the top above was taken during one of the nights in Bristol, when I went out for a smashing meal with, left to right: PHIL PATTERSON of the MARJACQ LITERARY AGENCY, a lady who never needs any introduction - the always irrepressible SARAH PINBOROUGH (who made the journey over from horror to crime before I did – more about Sarah later), PAUL CLEAVE, STEPHANIE GLENCROSS, KEVIN WIGNALL (hiding), SIMON KERNICK, my lovely wife Cathy, moi, and TOM WOOD.

Another crime writing thing that’s happened to me in recent weeks concerns the achievements of best-selling self-published author, RACHEL ABBOTT, whose first two novels, THE BACK ROAD and ONLY THE INNOCENT, have consistently topped the recent ebook charts, and all without the assistance of a major mass-market publisher.

I’ve chatted an awful lot with Rachel in the last few days; we’ve been tweeting each other, exchanging emails and as many ideas as possible, and finally Rachel came up with the rather cool notion that we should have an open-ended conversation, write it down and stick it on both our blogs. The result is here, on RACHEL’S BLOG, which has a stated aim to help authors going through the process of self-publishing their first ebook, and includes reviews of various indie publications. I’ll reprint it all on this blog sometime in the near future, but not today. It was Rachel’s concept, so she’s the one who gets first dibs. 

Any prospective author who’s thinking of following the self-publishing route ought to find Rachel’s views and experiences fascinating. Self-publishing is a complex procedure, as we all know – but RACHEL ABBOTT has made it happen in spectacular fashion. I strongly recommend that you check out her site and her books on a regular basis.

Now … I mentioned earlier that SARAH PINBOROUGH would be cropping up in conversation again today, and here’s the reason why. I’m very pleased to announce that on August 2 this year I’ll attending Waterstones at Liverpool One (12, College Lane, Liverpool), and sitting on a special TWISTED TALES panel, consisting of myself, Sarah, and another amazing thriller author, ALISON LITTLEWOOD.

In the now tried-and-tested fashion of TWISTED TALES, we’ll each be focussing on our latest gruesome offering. In Sarah’s Case, it will be the novel MAYHEM, a semi-supernatural jaunt through a late-Victorian London in which a ‘torso killer’ is giving Saucy Jack a run for his money; in Alison’s case it will be the novel PATH OF NEEDLES, in which a rookie cop is confronted by several horrific re-enactments of various fairy tales; in my case it will be SACRIFICE, the second novel in the DS Heckenburg series, and an investigation into a procession of ghastly murders apparently committed to celebrate famous folk festivals.

We’ll all be giving readings, answering questions and of course signing copies for people. I’m not sure whether the guys and girls at TWISTED TALES have devised a title for this particular event yet, but I think it will be something like HUNTING SHADOWS, the focus being on uber-dark crime novels but with mystical and Gothic elements woven into them.

Tickets are £3, I believe, (or £2 with a Watestones loyalty card). They are available in the shop, or can be booked on 0151 709 9820.

Hoping to see you all there. 

Terror Tales of London - all set to order!

Well, this is something I've been waiting to announce for quite some time. The latest in my TERROR TALES series, TERROR TALES OF LONDON, is at last available for pre-order, and is due to ship in two to three weeks, and how about that cover from the impossibly talented STEVE UPHAM!!!

Those who've been following the TERROR TALES series, which I've had the pleasure of editing since 2010 for GRAY FRIAR PRESS, will know that we are slowly but surely working our way around the United Kingdom, and may even go beyond these shores at some point, in a quest to present paperback anthologies of combined fact and fiction, most of the latter brand new and original, and all of a most chilling and spookifying nature.

London, the first purely urban district we've focused on, was always going to present its own unique opportunities for the writers participating, and trust me, they have not disappointed. All of them have seized this chance with both hands, and have contributed some amazing horror stories, introducing us to a host of monsters, ghosts, demons and killers - and all in the heart of England's capital.

Perhaps I should stop blabbing now, and let the back-cover blurb and the stellar TOC put you fully in the picture.

The city of London – whose gold-paved streets are lost in choking fog and echo to the trundling of the plague-carts, whose twisting back alleys ring with cries of ‘Murder!’, whose awful Tower is stained with the blood of princes and paupers alike …

The night stalker of Hammersmith

The brutal butchery in Holborn

The depraved spirit of Sydenham

The fallen angel of Dalston

The murder den at Notting Hill

The haunted sewers of Bermondsey

The red-eyed ghoul of Highgate

And many more chilling tales by Adam Nevill, Mark Morris, Christopher Fowler, Nina Allan, Nicholas Royle and other award-winning masters and mistresses of the macabre. 

The Tiger by Nina Allan

London After Midnight

The Soldier by Roger Johnson

Queen Rat

Train, Night by Nicholas Royle

The Horror At Berkeley Square

The Angels Of London by Adam Nevill

Boudicca’s Bane

Capital Growth by Gary Fry

The Black Dog Of Newgate

The Thames – Rosalie Parker

The Other Murderers

The Red Door by Mark Morris

The Demon Barber Of Fleet Street

Undesirable Residence by Barbara Roden

Nosferatu In Highgate

The Horror Writer by Jonathan Oliver

Butchery In Bleeding-Heart Yard

Perry In Seraglio by Christopher Fowler

The Monster Of Hammersmith

Someone To Watch Over You by Marie O’Regan

The Black Death Returns

The Outcast Dead by David J. Howe

What Stirs Below?

The Bloody Tower by Anna Taborska

As always, we intersperse alleged true tales of London terror with brand new works of nightmarish fiction in an effort to create as real a sense of time and place as we can. 

For those to whom all this is pretty new, TERROR TALES OF LONDON is the fourth in the series to date. Thus far, we've published TERROR TALES OF THE LAKE DISTRICT, TERROR TALES OF THE COTSWOLDS and TERROR TALES OF EAST ANGLIA, from each one of which stories have been selected for inclusion in Year's Best Horror anthologies ... something we're very proud of, as it shows that the authors we use have totally bought into the horror-folklore ethos of this series, and are absolutely hitting the spot in terms of their writing.

But don't take my word for it. All these titles are still available either from GRAY FRIAR PRESS themselves, or Amazon. Why not check 'em out for yourself?

Setting out to create the perfect murder

There are quite a few cool things to report this week, starting – and I’m particularly happy with this one – with the brand new crime anthology I’m featured in, THE PERFECT MURDER, which is now available for pre-order from Amazon.

Bearing in mind that this all-new e-antho, which will be published on June 10, can be yours completely free of charge, is this an opportunity you can really afford to miss?

Aside from my own novella, HIM!, it also includes brand new thrillers from authors like JACQUI ROSE, LUCA VESTA, MARK SENNEN, LAURENCE O’BRYAN and MICHAEL RUSSELL.  

There are more than likely to be a few chilling nights this summer if you get hold of that one, I’d venture to suggest.

Meanwhile, on the subject of crime and crime writing, here’s a link to a new three-e-book bundle, BEST OF BRITISH CRIME, which STALKERS will feature in next month (to be published on June 20, price £6.99). TOUCH by Mark Sennen and COLD KILL by Neil White are included in the package.

Still on the subject of crime and thrillers, I’ve recently been flattered to be asked to write a guest blog for SHOTS, the excellent crime and thriller ezine, in which I tackle the thorny issue of why I’ve moved the main focus of my writing away from the horror genre.

In truth, I still do pen the occasional horror story - more than the occasional one in fact, but there is no doubt that I’m now concentrating very hard on the thriller genre. However, rather than regurgitate everything I say there right here, why don’t you chaps just toddle along and have a look for yourselves – feel free to follow the LINK. 

Many thanks to ace crime-blogger AYO ONATADE for honouring me with her invitation, and taking charge of that article.

Old terrors linger in our rural backwaters

Okay, first off – the big development of the week is that I’m slowly but surely joining the modern world. I’ve at last made my presence felt on Twitter. I can be reached there, should anyone desire to follow my inane ramblings, at @paulfinchauthor.

The next bit of news this week is that I’m able to announce, with some excitement, that a major British film company has expressed interest in a novella of mine, The Stain, which was first published back in 2007 in my collection, STAINS.

I can’t say too much yet for fear of putting the mockers on it. And let’s not kid ourselves, ‘expressing interest’ means nothing more than it says – they are considering it as a possible project, and that’s all. No one has asked if there’s a script. No one has taken out an option. There are no guarantees of any sort. In fact, the only guarantee in the world of movie adaptations is that, from the moment of first interest to the day of principal photography can be such an agonisingly long wait that Ice Ages will have been and gone in the meantime (and that’s assuming you ever actually reach that hallowed final stage).

      

But let’s not be boring either. It’s always a bit exciting, and without bits of excitement what would life be? For those who don’t remember, or haven’t yet read it, The Stain tells the story of a struggling film company’s attempt to plan the sequel to a legendary 1960s horror movie, and their ill-fated efforts to write the script at the same location used for the original: a gothic mansion in remote woodland, which has apparently has had a disturbed atmosphere ever since the cameras stopped rolling. I mean come on, what on Earth could go wrong?

Still on the subject of spooky stories, I’ve also heard, and am chuffed to bits, that two superb contributions to last year’s Terror Tales books – The Cotswold Olimpicks by Simon Kurt Unsworth (TERROR TALES OF THE COTSWOLDS) and The Fall of the King of Babylon by Mark Valentine (TERROR TALES OF EAST ANGLIA), have both been selected by editor Stephen Jones for inclusion in THE MAMMOTH BOOK OF BEST NEW HORROR 24, which will be out later this year.

Well done and congratulations to those guys, both of whom truly bought into the Terror Tales ethos by creating stories combining mystery, folklore and nightmarish horror. 

It’s always gratifying to see this kind of recognition, but I had no doubt in my mind, on first accepting these submissions, that they would catch the eye.

The Cotswold Olimpicks concerns the arrival of an outsider at the famous ‘Cotswold Games’, a celebration of rural eccentricity, which has occurred in that lush part of the world every spring bank holiday since 1612. There is lots of singing, dancing and drinking, but as you know, it’s never a good idea to take these ancient countryside customs lightly – something deeper and darker nearly always lies beneath.

The Fall of the King of Babylon takes us to old Ely, and Babylon, the decayed warehouse district of the city, now cut off by the River Ouse and degenerated into a den of thieves whom the authorities seem unable to touch. Of course that isn’t the end of the matter. There are ancient forces in this remote, mist-begirt landscape, and they’ll have their say as well. 

By the way, TERROR TALES OF LONDON, the fourth in the series, is now in its final stages of production. Keep watching this space for cover art, table of contents and preorder details.

Big day at the Book Fair, plus Dark Hollow

The London Book Fair was an amazing experience. For those who don’t know, it’s a massive book-publishing trade fair held each April in Earl's Court, and in terms of its importance to the industry, it is these days regarded as being second only to the Frankfurt Book Fair.

With that in mind it was quite an amazing (and humbling) experience to go down there this year as a guest and see posters everywhere depicting STALKERS and my next novel in the Mark Heckenburg series, SACRIFICE.

Below right is a shot taken during the fair, in which I sit on a panel with two fonts of wisdom on various book-related matters, authors Andy Briggs (on my left) and Conrad Williams (on my right). Top literary agent, Julian Friedmann, (seated far left) is the compere.

On the subject of STALKERS, it is still selling well. We’ve now passed 110,000 sales, which is something I could never have dreamed of when it was first bought by Avon Books, and on top of that, we’ve now sold it to Piper-Verlag, based in Munich, so a German language version of the book will be coming out at some point soon. Meanwhile, pre-orders for SACRIFICE are pretty exciting too. They’ve just breached 7,000, which isn’t half bad, I suppose, considering the book is only due for publication in July. I can also at this stage exclusively reveal (though it's possible I may have mentioned this already on Facebook, that the third book in the Heck series will be called HUNTED, and this, I think, is scheduled for publication next February.

Still on the subject of Avon Books and HarperCollins, I’m pleased to announce that a brand new short story of mine, HIM! – though it leans towards being a novella, in terms of length – is included the publisher’s brand new crime-oriented e-anthology, THE PERFECT MURDER. More info on when this is available soon, though the antho will contain work by some of Avon’s current hottest-selling crime and thriller authors – folk like Jacqui Rose, Mark Sennen, Luca Vesta and Mike Russell. What’s more, the rumour is that it will be available absolutely free – at least for a time. So it’ll be well worth keeping your eye open for that one.

On a totally different matter now, the financial keystones are finally falling into place for the movie adaptation of Brian Keene’s best selling horror novel, DARK HOLLOW, which I co-scripted with Paul Campion, and there is a distinct possibility that we could enter pre-production in July, with the shoot perhaps scheduled for August and September.

And just to prove that this blog isn’t always just about me, here are the terrible twosome – Brian on the left and Paul on the right, captured cooking up some promo stuff for the movie.