We’re talking street-crime of the heavier variety this week: hoods, hoodlums, muggers, blaggers, gun-toting desperadoes of every sort. That’s partly because we’ve today reached the final countdown to publication of my latest crime thriller, SHADOWS – here I am, unsubtly waving the book around at the recent very successful Noir at the Wigan Bar! – but also because I’ll be reviewing Don Winslow’s epic study of a cop not just at war with the underworld, but with himself, THE FORCE.
As always, that review can be found towards
the lower end of today’s column. Before we get there, in reflection of today’s
chosen subject-matter, I thought I’d delve into the realms of true crime again,
focussing not so much on murderers this week, as on bank robbers. Who were the
worst at it, who were the most successful, who were the deadliest? Read on ...
Robbery with violence
SHADOWS is the second outing for my female
cop character, Lucy Clayburn, who readers may recall completed a difficult
undercover assignment in the first novel, STRANGERS, and in the process brought
down a major crime syndicate and ended a serial killer’s reign of terror.
They are a fearsome bunch indeed. Always
equipped with automatic weapons, and always leaving bullet-riddled bodies in
their wake.
It’s a great gig for Lucy, who’s nothing if
not a toughie, herself, and something of a biker chick in her spare time. But
there is one small problem: when it becomes apparent that the targets of these
robberies are exclusively criminals themselves – and not just that, but
affiliates of the terrifying Manchester crime syndicate, the Crew – the stakes
are raised dramatically.
The cops now know they must act fast, because
it looks as if a full-blown gangster war is about to erupt …
So, as stated earlier, in honour of this new novel, which I must admit
to liking very much (and which hits the shops on October 19), I thought I
might focus today on some notorious real-life robbers.
They certainly occupy a strange place in
the echelons of crime, these guys. In the eyes of certain members of the public, they dwell in a
kind of twilight zone between villain and hero. Though undoubtedly ruthless
and violent, this is counterbalanced for some by their audacity and daring.
Even certain police officers of my acquaintance have expressed quiet admiration
at the skill and planning that has gone into some major jobs.
The brutality, though, is something that
really can’t be discounted. In English law, the definition of robbery is theft
with violence, or with a threat of violence. There is no getting away from it:
when someone commits a robbery, that means someone else, usually someone
entirely innocent, is put in terror of injury or death, and may even suffer one
or both of those outcomes.
So, I’m not going to lionise these guys,
but by the same token, I’m not going to pretend that I’m not fascinated by
their exploits. Here are …
FIVE OF THE WORLD’S MOST NOTORIOUS ARMED
ROBBERS, AND THE ULTRA-VIOLENT JOBS THAT MADE THEIR NAMES:
Dillinger Gang
In 1933, with the repeal of Prohibition,
and the end of easy money provided by bootlegging beer and spirits, America’s
criminal underworld had to diversify. And so, the following decade saw a widespread return
to that oldest and most traditional form of violent crime, robbing banks.
The rural US was still in
many ways reminiscent of the Old West, inasmuch as it comprised
numerous small towns isolated from each other by great distances and only
connected by miles of empty, often unmarked back-roads. Whereas organised
law-enforcement, while relatively light on the ground in the great open spaces
of the Midwest, at least had the advantage of now being motorised, the bank
robbers were motorised too, and often were equipped with automatic weapons. As
such, an entire host of hayseed nobodies, folk who otherwise would have left no
ripple on history, became infamous overnight.
Names like Baby Face Nelson, Machine Gun
Kelly, Pretty Boy Floyd, Ma Barker and her boys, Wilbur Underhill and, of
course, Bonnie and Clyde, were soon synonymous with heavily-armed
villainy, the objective of which was usually robbery (though sometimes
kidnapping), but the regular consequence of which was blazing gunfire as the
participants shot their way out of tight corners, often wounding and killing
police officers, bank guards and members of the public. Despite this, most
likely because of the Depression and the Dust Bowl disaster – a truly desperate
time during which countless unproductive farms and other businesses were
unfairly foreclosed, turning bankers themselves into a reviled enemy – these
highly mobile bandits attained folk-hero status.
A rebel since youth (a mutinous seaman in
his late teens), Indiana-born Dillinger was convicted of his first serious
crime in 1924, when he stole $50 from a grocery, and after being persuaded to
confess by his church-deacon father, was sentenced to 10 to 20 years in prison.
Stunned by this harsh sentence, he turned his back on his father’s path, and by
his own admission, determined to become a ‘mean son of a bitch’. While inside,
he befriended seasoned criminal, Harry Pierpont, and studied the bank robbery
techniques of a former professional criminal, German-born Herman Lamm, who had
utilised military methods – casing the bank beforehand, using stop-watches to
time the operation, planning getaway routes, etc – to launch a series of
successful raids.
On his release in 1933, Dillinger put
together his own gang of hardened outlaws and commenced a robbery spree that
would pass into legend, hitting multiple banks and even police arsenals (to
steal guns, ammunition and bullet-proof vests) across Ohio, Indiana, Wisconsin
and South Dakota. Captured several times, he always managed to escape and
continue his activities, chopping and changing his confederates en route (for
example, he considered Baby Face Nelson a risk and so cut him loose, but
admired Pierpont and worked with him whenever he could).
He successfully stole around $340,000 in
total, and engaged in a number of epic gun-battles, leaving ten law officers
dead and at least seven critically wounded. Dillinger himself was only believed
to have killed one police officer, patrolman Pat O’Malley, during a robbery
shootout in East Chicago, though this would undoubtedly, in due course, have
sent him to the electric chair.
In some ways this cruel murder belies the
myth, because of all the ‘public enemies’ in this era, Dilllinger – either
rightly or wrongly – was regarded by the public as the most dashing. This was
partly down to his good looks and affable manner with both captives and captors
alike, though he is also credited with having spared bank customers during
robberies, telling them that he wasn’t after their money, which won him popular
support.
Success was ultimately his undoing, when
relentless FBI boss, Melvin Purvis, took up the chase with his well-armed,
well-trained G-Men. Prioritising Dillinger above all others, they finally
tracked him to the Biograph Theatre, Chicago, in July 1934. Ambushed on the way
out, Dillinger drew his weapon, and was shot multiple times.
Not the biggest armed robbery in criminal
history, though it was pretty big by almost any standards, the Lufthansa Heist
is probably most infamous for its incredible bloody aftermath and for being one
of the few of its kind arranged by the American Mafia.
Much cosier in the world of racketeering,
gambling and loan-sharking, the 20th century mob rarely indulged in armed
robbery simply because they regarded it as a high-risk activity. And if there
were any who were unsure about this, after Lufthansa they’d be in no doubt
whatosoever.
However, initially it looked like a great
opportunity.
The mastermind behind it was Jimmy ‘the
Gent’ Burke, an Irish/American associate of New York’s Lucchese crime family
and a successful thief who was always considered a safe bet (he was portrayed unforgetably by Robert De Niro in Martin Scorcese’s movie account of the crime, Goodfellas). When, in 1978,
Burke was informed that millions of dollars of US currency, the result of money
exchanges for servicemen in West Germany and therefore untraceable, was stored
in an easy-to-break vault at Kennedy Airport, he took it to his bosses and
commenced preparing what at the time looked like a hugely daring but potentially very lucrative robbery.
In the end, three major syndicates would be
connected to the Lufthansa Heist, not just the Luccheses, but the Gambino and
Bonanno crime families, as Burke would be contravening their respective
territories and therefore owed them each a substantial cut. But the robbery
itself was carried out by a team of relative unknowns, Mafia shooters and
hardmen all – like the fearsome Tommy DeSimone (another searing performance in Goodfellas, this time from Joe
Pesci) – but no one
who might be considered indispensible.
Burke, himself, didn’t participate, but
planned the raid in fine detail, and rehearsed his team mercilessly. On a
frosty December 11, in the early hours of the morning, the crew, with the
assistance of key insiders, infiltrated the airport holding area, abducting
various employees at gunpoint and advising each one that they knew who they
were and where they and their families could be found later, should anyone blab – a classic and dependable Burke tactic. Even then there were risks: had the
terrorised captives disobeyed orders, and not waited until 15 minutes after the
gang had left with their loot before sounding the alarm, the Port Authority
Police might have been able to seal the airport in time. But the hostages had
been left in no doubt that they and their families would pay dearly if the
escape was impeded.
Ironically though, in the long run it was
the team themselves who’d pay.
Burke (right) was stunned when the haul amounted to
$6 million in cash and jewellery. It was the biggest robbery on US soil at the
time, and this worried him. Knowing it would result in a high-level police
investigation, which might invite disaster for the New York crime families, he
promptly began eliminating those members of the team and their back-up crew,
and even those who simply knew about it who might conceivably talk.
Before the following summer, nine people had been executed on Burke’s orders,
while several more who’d been involved would die violently over the next few
years, ‘whacked’ for various indiscretions. One of these was Tommy DeSimone,
who was allegedly tortured and chain-sawed in half.
Such ruthless ‘house-keeping’ didn’t save
Burke. Though never convicted of participating in the heist, he was eventually
fingered by notorious mobster-turned-informer, Henry Hill, in the murder of one
Richard Eaton, a launderer who had skimmed some of the loot (and was hanged in
a freezer truck for his trouble), and was sentenced to life imprisonment
Ultimately, the Lufthansa Heist’s fantastic
pay-off was a disaster even for its senior supervisors, because it put the New
York mob more squarely in police sights than they’d been for decades. Paul
Vario, the Lucchese underboss who had authorised the crime, and who Hill also
testified against (though for other offences) died in jail in 1988. Jimmy Burke
followed him to the grave in 1996.
Great Train Robbery
Without doubt the most legendary armed robbery in British history, and probably one of the most famous in the world – but in truth, for all the wrong reasons.
Without doubt the most legendary armed robbery in British history, and probably one of the most famous in the world – but in truth, for all the wrong reasons.
The crime went ahead as planned, and
initially seemed like a complete success, the robbers, who hadn’t even taken guns with them, getting away with £2.6 million in used and untraceable bank-notes
(the mere feat of moving so much cash in such a short time was seemingly
admirable, and involved the clever device of stopping the train on Bridego
bridge in Buckinghamshire, where the gang formed a human chain to a waiting
truck).
When the news broke, it captured the
imagination of the whole country. There hadn’t been a major train robbery in
the UK since Victorian times, and immediately it was portrayed in the popular
press as an astonishing feat of daring. Mental images were conjured of
intricate planning beforehand, of Jesse James-type bandits leaping onto the
train while it was still in motion, running along the roof, and performing all
kinds of heroics and derring-do. Surely, these could only be experts in the
field, criminal geniuses and gentleman thieves of the old school, so sure they
didn’t want to hurt anyone that they didn’t even take firearms, and yet still
getting clean away afterwards, having been rewarded for their sterling efforts with
a monumental haul?
But such thinking was fanciful and wildly
inaccurate.
Firstly, the team, while comprising
experienced thieves and undoubted London characters like Buster Edwards (right) and
Bruce Reynolds (left, who led the raid), was not considered to be one of the city’s
major firms, and previously had specialised in hitting soft targets. Ronald
Biggs, who achieved lasting fame through his decades-long evasion of justice,
was a petty-villain whose only real job was to recruit a train driver who could
handle the train (in which cause, he palpably failed).
The essential inside information provided
to the team, and enabling the crime to happen, came from a self-interested
Northern Irish contact known as ‘the Ulsterman’ (later named as postal worker,
Patrick McKenna), who took a big chunk of the poceeds and was never caught.
The raid itself, while well executed,
included no real feats of daring. The train was stopped by a fake signal light,
and the driver, Jack Mills, beaten with an iron bar – which was hardly heroic
(and which, though no firearms were used, indicates that the gang were armed
with coshes and more than willing to use them).
In addition, they were lucky. The security
fixtures on the HVP carriage, which included locks and alarms, were not
effective because a reserve carriage was being used, and rather ridiculously,
there were no security guards on board. The retired train driver called ‘Old
Stan’, who’d been brought along by Biggs (right) to move the captured train to the designated
robbery site, was unable to perform his job, and so the injured driver, Jack
Mills, was forced to do it, despite being semi-conscious.
The gang’s planning also fell short when it
came to the getaway. Lying low at an abandoned farmhouse close to the scene,
and only realising when it was almost too late that they’d be snared by the
resulting police dragnet, a panicked departure meant they left several of their
vehicles behind, and failed to properly clean the hideout of prints, while the
ultimate final precaution, burning the place to the ground, was left to an
unreliable accomplice, who never performed the task.
Errors like these, along with the tenacity
shown by London’s elite Flying Squad, was the doom of the Great Train Robbers,
most of whom were eventually arrested and sentenced to exemplary prison
sentences – 25-30 years in most cases. Even those like Edwards and Reynolds,
who fled abroad, were eventually captured and convicted.
Injured train driver, Jack Mills, suffered
brain damage and never fully recovered, dying in 1970. The £250 he received in
criminal injury compensation was seen as an outrage compared to the £65,000
paid to Ronnie Biggs’ wife, Chamian, when she sold her story to the
papers.
Brink’s-Mat
Committed at the Heathrow Airport Trading
Estate, London, in 1983, the Brink’s-Mat robbery, which saw the loss of £26 million in
gold bullion, diamonds and cash, was initially regarded as ‘the crime of the
century’, and in many ways, ‘a British Lufthansa’. That latter comparison would, in due
course, be much more appropriate than anyone could have imagined at the time.
Because not only was the crime conceived of and executed by some of London’s
most senior criminal elements, it eventually resulted in a range of arrests,
convictions and lengthy prison sentences, but also a string of gangland
slayings.
The raid occurred late at night in the
November of that year, the crew, led by underworld tough guys Brian Robinson and
Micky McAvoy, gaining entry to a warehouse containing properties belonging to
Johnson Matthey Ltd. Assistance in this was provided by corrupt security guard,
Anthony Black, who also happened to be Robinson’s brother-in-law, but who would
later prove to be a weak link in the chain. The rest of the security team were
bound hand and foot, and after being drenched in petrol and threatened with lit
matches, they gave up the codes to the vault. But the robbers, who were looking for
around £3 million in cash, hadn’t expected to discover the bullion, and now
found themselves in possession of an absolute fortune.
Though they’d removed it from the premises
in under two hours, any triumphalism the gang might have felt at the success of
the operation was due to be shortlived.
Black was pressurised by the police, and in
his turn implicated Robinson and McAvoy, though neither had exactly kept a low
profile, both splashing money around, and McAvoy acquiring two guard-dogs for
his new house in Kent, and naming them Brinks and Mat. In the end, it was a
no-brainer, both men receiving 25-year sentences.
Police pursuit of the bullion was less
rewarding.
To avoid attracting attention by trying to
sell pure gold, infamous gangster Kenny Noye was recruited to melt it down and
mix it with copper and brass. £13 million’s worth of precious metal was
disposed of this way, though Noye was arrested after stabbing to death an
undercover detective who was onto his scheme. He evaded conviction for this on
the grounds of self-defence, the killing having happened in his own
back garden, but was later charged with handling the Brink’s Mat gold and
jailed for 14 years. (It was all downhill for Noye after this, when, two years
after release, in 1996, he committed murder during a road rage incident, and
was sent to prison for life).
Though at least £10 million of the gold
remains unaccounted for, much of it still thought to be hidden and awaiting
collection, it still went badly wrong for many of those connected to the crime,
because the London underworld – as in the case of the Lufthansa Heist – quickly started feeding on its own. Maybe as many as 20 of those connected
to the robbery paid the ultimate price, so many in fact that it became known as
the ‘Brink’s Mat Curse’. This included John Palmer, a jeweller and
bullion-dealer known as ‘Goldfinger’, who was gunned down in the garden of his
Essex cottage, and former Great Train Robber, Charlie Wilson who’d by this time
diversified into money-laundering, shot dead on the doorstep of his Spanish
home, along with his pet dog.
There were other consequences from Brink’s
Mat, the enormous haul said to have financed the flooding of Britain with ecstasy, which, more than any other illegal substance, is thought to have
persuaded the UK’s most dominant firms that more money is now to be made from
narcotics than armed robbery.
In 1995, Michael Mann successfully remade
his armed robbery-themed TV movie of 1989, LA Takedown, renaming it Heat, and
packing it with star power (the second Robert De Niro movie to be referenced in
today’s blog, showing how on the money the great man was when
it came to intense crime dramas), and pumping up the action quota
massively with a much larger budget.
One of the most impressive sequences involves a bank robbery going wrong, and an
immense and protracted shootout resulting between the movie’s main hoodlums
and the LAPD, which sees the police overwhelmed by the astonishing
level of firepower the villains direct at them, and seemingly half the city
suffering demolition in the process.
It’s an amazing scene of excessive violence and rampant lawlessness, which one could thankfully never envisage occurring in
real life. Right?
Wrong.
Only two years later, the Bank of America
in North Hollywood was robbed by two heavily armed and armoured bandits, whose
attempted escape was intercepted by the LAPD, and the ensuing shootout
shocked the world, especially as it was screened live and from multiple
different angles by numerous TV crews and news stations.
All of the heists in today’s blog
ultimately failed, though in most cases the robberies themselves were completed
successfully. This entry is the exception to that rule, but the North Hollywood
Shootout was so memorable an event that it still figures highly in all lists of
the most astonishing violent crimes.
The perpetrators were Larry Phillips, Jr (right).
and Emil Mătăsăreanu (left), two hardened armed robbers and gun buffs, who had already
killed one guard in a different job, and had become notable to law enforcement for the massive
firepower they utilised, which included automatic rifles and
improvised explosive devices. Known as the High Incident Bandits, by 1997 the
proceeds of their crimes already topped $1 million, but the North Hollywood
attack was to be the big one.
On the morning of February 28, they entered
the bank, which was located on Laurel Canyon Boulevard, wearing the latest
high-tech body-armour, bandoleer belts and pouches containing spare magazines
and thousands of rounds of extra ammunition. Their weapons included HK-91
battle-rifles, automatic assault rifles and carbines. But such conspicuous
attire was to backfire on the duo badly, when they were spotted by local
patrolmen, who immediately summoned reinforcements.
Immediately on leaving, they were challenged
by cops now surrounding the bank, but responded with a storm of gunfire.
Officers responded in kind, but their pistols and shotguns were no match for
the felons’ body-armour. To the disbelief of the everyday citizens passing by,
a full-scale gun battle erupted, the robbers advancing steadily, hit
repeatedly but driving the cops backwards, leaving them wounded all over the
roads and pavements, and blowing their patrol cars to pieces. When a SWAT team
finally arrived, 18 minutes of near nonstop gunfire had passed and yet the
shootout was still raging, having caused so much carnage that the specialists’
first task was to drive in with an armoured vehicle in order to evacuate the
many wounded.
However, despite appearances, the robbers
were not immune. Though they fought their way into a nearby parking lot, where
they were able to retrieve more weapons and ammunition from their getaway car,
they had both by now been severely injured. In the incredulous gaze of the
news teams hovering overhead, Philips, shot several times, attempted to escape
on foot, making it onto Archwood Street, blazing in all directions before
finally taking his own life. Mătăsăreanu, bleeding profusely, drove a short
distance in the getaway car, before hijacking another vehicle. Unable to
operate a stick-shift, he continued to put up stiff resistance, holding the
encroaching SWAT men off for almost another five minutes, before, too badly
wounded to shoot anymore, he surrendered – only to die from blood-loss in the
ambulance.
Some 2,000 rounds of ammunition were fired
by the robbers, and 12 police officers and eight civilians were seriously injured.
The Medal of Valour was later awarded to 19 of the cops involved, but questions
were asked about what on Earth kind of society might find itself in need of
police officers who are armed and armoured like combat troops.
THRILLERS, CHILLERS, SHOCKERS AND KILLERS …
An ongoing series of reviews of dark
fiction (crime, thriller and horror novels) – both old and new – that I have
recently read and enjoyed. I’ll endeavour to keep the SPOILERS to a minimum;
there will certainly be no given-away denouements or exposed
twists-in-the-tail, but by the definition of the word ‘review’, I’m going to be
talking about these books in more than just thumbnail detail, extolling the
aspects that I particularly enjoyed … so I guess if you’d rather not know
anything at all about these pieces of work in advance of reading them yourself,
then these particular posts will not be your thing.
Outline
It’s a strange thing, but given that this
epic-in-concept and epic-in-execution police thriller fills its 400+ pages with
furious action, intense character clashes, crackling dialogue, emotional
tangles and moral complexities that basically leave you breathless, not to
mention some mind-bending ‘revelations’ about life and death deep in the NYPD,
it all kicks off with an event that occurs five months before the book’s main
narrative even starts, when the elite Manhattan North Special Taskforce, known
simply as ‘Da Force’, pulls off a major drugs bust.
It’s the prize of prizes for streetwise
Detective Sergeant Denny Malone, and his cadre of ultra-loyal sidekicks, Phil
Russo, Bill ‘Big Monty’ Montague and young Billy O’Neil. Such a prize should
have made their names as New York detectives forever. Except that this isn’t
the way things work in this neck of the woods. The team, who naturally are
corrupt to a man, stand by while Malone calmly executes Dominican cartel boss, Diego
Peña, who otherwise would get in the way of their proposed theft of his
product – but before they can make off with a very sizable portion of the haul,
young Billy himself dies when he accidentally absorbs pure heroin through a
series of fresh cuts.
These are the highs and lows of life in Da Force. They’ve lost yet another of their own, but at least the rest of the
guys, who are near enough all family men, will have no problem meeting medical
bills and putting their kids through college. Unfortunately, the wheels put in
motion by this act of criminality don’t stop turning here; in fact, they spin
faster and faster and ever more out of control.
We roll forward now to the following
Christmas, and find the Manhattan North Special Taskforce freewheeling as
always along the high-risk path of keeping the mean streets of Harlem clean and
at the same time enriching themselves at the expense of the underworld, always
cleverly – admirably so, in fact – but often violently too.
Malone is the heart and unofficial leader of
this small, but very efficient crew. An Irish cop descended from a line of
Irish cops, heroism and defiance are in his blood – his brother, Liam, a
fireman, died on 9/11. Meanwhile, Malone’s estranged wife and kids live in a
kind of safe ‘Copland’ enclave on Staten Island and are well supplied with
everything they need, because though he’s a badass of colossal proportions,
Malone also knows what matters to him.
Little wonder he sees himself as the King
of Manhattan North, a kind of backstreet lawgiver, underappreciated for sure, but
nevertheless handing down a real brand of justice as opposed to the vanilla
stuff you get from the courts.
In truth, Denny Malone is a character we’ve
seen before, though in my experience never quite as multi-dimensionally as he
is portrayed here. He is an antihero, yes; he is brutal, yes; he is a casual
user of profane and racist language, yes. But he is also brave, smart, tough and possesses bags of flawless instinct and low-key political acumen. He is also unswervingly loyal to his brother cops, and though it may seem like a huge contradiction, he genuinely believes that he is doing the right thing.
To Malone, small-scale police corruption is
standard behaviour. Its proceeds are only what these men and women are owed in
return for the danger and horror they face daily, and represent a small
fraction of the reward they know they will never get from the uncaring
power-structure above them, the one side of which is too busy acquiring
privilege for itself to view them as anything other than expendable pawns in a deadly
game of chess, the other side of which, politically motivated in a different
way (as embodied by the likes of Black Lives Matter – yes, The Force, though a
timeless tale, is a very current novel), views them as scapegoats for an
unequal society, who should be made accountable for the establishment’s many sins.
Even so, street-smart and righteous though
they may consider themselves to be, the Force’s cowboy lifestyle is never going
to be a particularly safe option. They take a big chance with young Billy’s
replacement, greenhorn Dave Levin, but the real dangers are posed by the likes
of seriously dirty and very stupid cops like Rafael Torres, who are many in number
(at least, they are in this novel) and who never cover their backs
sufficiently, a folly for which everyone – and that means everyone! – is soon going to pay.
There is one other factor, though, which
helps to blind Malone’s otherwise all-seeing eye to this very real weakness in
the system: everyone else is as corrupt as he and his buddies are, if not
worse.
In The Force, Don Winslow presents us with
a world of law enforcement where it’s almost the norm for police officers to
put things in their pockets when they attend crime scenes, to only ever hand
over half of the drugs they seize, to steal stolen money again rather than
return it, to tax the criminal lower orders and take bribes from those who are
higher up. And it isn’t just the police. The judiciary and the political administration
of the city are up to their necks in dodgy dealing as well. Everyone, it seems,
resents those who have power over them, everyone thinks they are undervalued
and underpaid, everyone considers that they only purloin what they are fully
entitled to, and almost everyone is content to turn a blind eye to the next
office along’s countless indiscretions on the understanding that this favour
will be returned and the process perpetuated.
Almost everyone.
And this is the beginning of Denny Malone’s
undoing. Because though he’s constantly able to outfox the squeaky-clean but largely uninformed Captain Sykes, a crusading internal investigations unit then turns up, comprising the
untouchable feds, O’Dell and Weintraub, and the
superhot, supercool attoney, Isobel Paz. When this new, energised and higly powered outfit is able to implicate the
ne’er-do-well cop in corrupt practises through his attempts to negotiate a
crooked legal deal, there is a dramatic shift of power.
Suddenly, Malone finds himself in big
trouble. He can get himself off the hook if he will serve up all his corrupt
pals, but he obviously doesn’t want to do that – these are fellow cops, his
blood-brothers, much closer than the kind of run-of-the-mill buddies that
civies have. Through various Machievellian intrigues, he finally brokers a
maybe-acceptable deal, in which he will turn over the city’s corrupt lawyers.
But even more Machievellian intrigues further up the food-chain contrive
to confound this.
Meanwhile, the everyday problems of cop
life are also becoming an issue. There is huge racial tension in the city after
a white officer shot a black kid. Major disturbances threaten while the Grand
Jury deliberates, and even Claudette, Malone’s beautiful black girlfriend,
wants to put distance between them both. At the same time, routine turf wars
are in the offing between gangs who formerly were at peace. And then there is
the uber-ruthless Peña cartel, from whom Malone stole at the very beginning of
this dramatic tale. They don’t forgive, or forget …
Review
There is no doubt that Don Winslow is the
modern master of the broad-canvas crime story. And yet, his material is never
less than completely shocking.
While he apparently worked for months with
the NYPD to gain the special insights needed to create this enormous and
enormously powerful saga of right and wrong and the multiple grey areas in
between, it ultimately casts the New York police in a very bad light. At times,
I was gobsmacked by the open assertion that so much of the city’s towering
law-enforcement, legal and political structure is bent. The innocent soul
within me even came to doubt the accuracy of this, though in the long run, whether it’s a true depiction or not doesn’t really matter,
because it gives us a tumultuous backdrop to this most enthralling study of a
man (and his world) on the edge of an abyss.
Okay, we may have been here before. Joseph
Wambaugh’s The Choirboys is one obvious source of inspiration (Da Force do
booze-ups, or rather ‘Bowling Nights’ as they call them, in the most extreme
and joyous way imaginable), but I caught more than a few glimpses of The Shield
as well (Denny Malone even shares Vic Mackey’s penchant for jeans and black
T-shirts!), while in the character of the lovely, heroin-addicted nurse,
Claudette, there was a glimpse of the doomed Isabella in Daniel Petrie’s Fort
Apache, the Bronx. But really none of that matters, because The Force goes much
further along the line than any of those other great pieces of work, with a
unique and muscular identity all of its own. In fact, the experience of reading
it is so intoxicating, so real, that you’re basically out there on the streets
with the guys themselves, kicking tenement doors down, busting the ‘mopes’ and
the ‘skels’.
Each page is stacked with completely
convincing NYPD detail; the procedures and protocols are all there, the
attitudes and language – the language has drawn some criticism for projecting a
clichéd New York cop tone, and one brickbat I sympathised with took
issue with the cops’ apparent belief that they could do terrible things to and
say awful stuff about ethnic communities because they had earned the right –
but I still found it completely compelling.
The rooting for the bag guys thing is
always something of a challenge. But not here. Not because they are softened by
being tough guys with hearts of gold. They haven’t got hearts of gold; but
they’ve been sucked into a negative way of life almost from the word-go, which
offers no ways out, and yet because it allows them to beat, cripple, blackmail
and kill the city’s very worst elements – yes, the vigilante element is strong
with this one! – they are persuaded that it’s all okay. And that has a similar
effect on us, albeit briefly.
These guys really are the strong arm of the
law, we think, the thin blue line, civilisation’s only real defence against a
horde of beasts. To deal with violence, you must show … well, violence.
Hardly an ideal scenario, of course. Few of us would actually approve of it. But in The Force you at least see how it happened. In Denny Malone’s own words:
‘How do you cross the line? Step by step.’
After his emotionally-wrenching The Cartel,
in which we watched a beautiful society be systematically torn apart by
criminals who were more like wild dogs, The Force is a huge change of pace and
direction for Don Winslow. Yes, it’s savage, hardbitten and deals with edgy
characters at the sharpest end of human experience, displaying both the best of
them and the worst, but whereas The Cartel was a very serious statement about
the plight of a country competely at the mercy of corrupt officials and
organised crime, The Force is more of a personal experience – the progress of a
damaged but likeable soul forging his way through a world of darkness, and yet,
though constantly seeming to do the wrong thing, gradually edging closer and
closer to that redemptive moment when he finally does the right thing (oh, and
with plenty of frenzied and explosive action along the way).
Read The Force. That’s all I’m going to
say. You don’t have to be a fan of crime, thriller, mystery or cop fiction. As
long as you don’t mind being smacked in the face repeatedly by prose as tough
as Brooklyn brickwork, you should find this novel a major, major experience.
And now, as usual, though it’s utterly pointless, I’m going to try and cast it. I say it’s pointless, because the book
apparently sold to Hollywood before it was even published, and for no small fee
(not jealous at all). But I’ve not heard much about it as yet, so I’m going to
try and get my suggestions in first. If Don decides that my ideas are better
than whoever gets the casting director gig, he knows where to send the cheque.
Here we go:
Det. Denny Malone – Chris Hemsworth
Det. Phil Russo – John Bernthal
Det. Bill ‘Big Monty’ Montague – Forest
Whitaker
Sheila Malone – Jessica Chastain
Claudette – Gabrielle Union
O’Dell – Ben McKenzie
Lou Savino – Joe Mantegna
Benjamin ‘Nasty Ass’ Coombes – Tyler James
Williams
Stan Weintraub – John C. McGinley
Isobel Paz – Eva Longoria
Gerard Berger – William Fichtner
Det. Dave Levin – Justin Long
Det. Rafael Torres – Javier Bardem
Captain Sykes – Don Cheadle
DeVon Carter – Lance Reddick
Janice Tenelli – Michelle Rodriguez
Insp. Bill McGivern – Jon Voight
Mary Hinman – Ann Dowd
Carlos Castillo – Steven Bauer
Bryce Anderson – James Cromwell
Stevie Bruno – Michael Badalucco
Diego Pena – Luis Guzman
(I know … what a cast that would be. But
then … what a novel).
Just for your interest, the two images used today that don’t actually speak for themselves, the armed robbers with the horror masks, and the gunmen emerging from the Bank of America, are lifted from two crime movies. Respectively: The Last Heist (2016), and 44 Minutes: The North Hollywood Shootout (2003).
Just for your interest, the two images used today that don’t actually speak for themselves, the armed robbers with the horror masks, and the gunmen emerging from the Bank of America, are lifted from two crime movies. Respectively: The Last Heist (2016), and 44 Minutes: The North Hollywood Shootout (2003).
